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Showing posts with label judaica. Show all posts

Showing posts with label judaica. Show all posts

Re-engineering Jewish Tradition. The Design Winners of Sukkah City, 2011.

<script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=0d650ffe-1ec7-4395-883b-24e806d21a65&type=website"></script><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWzjYCJsPTUsW2PElse3XIZg_RXeKkqiyK0NnkPxu1lmBdljM2DY6fSepjm-YXsIiNx78oAQNh9oRBaxpXnkWfroEhuDkWqb4PO1tozJZvoOtoVsEiWRRtosNLePXExNW2Te2hruptdiY/s1600/sukkah+city+tjechman.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662801221594139730" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWzjYCJsPTUsW2PElse3XIZg_RXeKkqiyK0NnkPxu1lmBdljM2DY6fSepjm-YXsIiNx78oAQNh9oRBaxpXnkWfroEhuDkWqb4PO1tozJZvoOtoVsEiWRRtosNLePXExNW2Te2hruptdiY/s400/sukkah+city+tjechman.jpg" style="cursor: pointer; width: 528px; height: 544px;" /></a><br /><span style="font-size:85%;">above: one of the ten winning submissions, </span><span style="font-style: italic;font-size:85%;" >60 degree Sukkah by </span><span style="font-size:85%;">Filip Tejchman of Brooklyn, NY, and Cambridge, MA</span><br /><br />Some of my readers may recall <a href="http://ifitshipitshere.blogspot.com/2010/09/sukkah-city-12-radically-re-imagined.html">a post I wrote last year on Sukkah Cit</a>y, a design competition held in New York that proposed redesigning a Sukkah, a traditional shelter created for the Jewish Festival Of Sukkot.<br /> <br />Building and expanding upon New York’s Sukkah City 2010, Sukkah City STL proposed a re-imagination of the Sukkah, an ancient and temporary structure used by both nomads and harvesters. The jury selected work that defined and defied boundaries using ancient law and the contemporary experience of shelter. The design winners are below.<br /><br />Emery McClure Architecture, Lafayette, LA - <span style="font-style: italic;">Tené</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAFOAwgXy-867uGfiClpeYjhbrvXKZNsE9mqY4d_I-nqnVDcMwLGoW9j6K-oAGri1I2dwBOmrFeLR0ruKibK4UqU2aMiBu5Kz5J6WOzR-wImVjK1r2ml1GBYv4Y-cpxqnAAp9NwpFUqUI/s1600/Sukkah-McClure_250.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662801810933759698" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAFOAwgXy-867uGfiClpeYjhbrvXKZNsE9mqY4d_I-nqnVDcMwLGoW9j6K-oAGri1I2dwBOmrFeLR0ruKibK4UqU2aMiBu5Kz5J6WOzR-wImVjK1r2ml1GBYv4Y-cpxqnAAp9NwpFUqUI/s400/Sukkah-McClure_250.jpg" style="cursor: pointer; width: 527px; height: 462px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_6mieGW5Yoxk-thOnS1ePhcxTgFx04xrAvAeH9JizIFsRbkvVj1H3bfxORKis62_Ee-kYY4pFbBZ6wjoS9KVFW1srBXiGL6RyUi9O7SvJM6s87Xta_bciUkDHRlAMd00mkLU7e1ZD4h8/s1600/Sukkah-McClure_2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662801942307853314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_6mieGW5Yoxk-thOnS1ePhcxTgFx04xrAvAeH9JizIFsRbkvVj1H3bfxORKis62_Ee-kYY4pFbBZ6wjoS9KVFW1srBXiGL6RyUi9O7SvJM6s87Xta_bciUkDHRlAMd00mkLU7e1ZD4h8/s400/Sukkah-McClure_2.jpg" style="cursor: pointer; width: 528px; height: 381px;" /></a><br /><br />Act3 (Ben Kaplan), Trivers Architecture and STL Beacon, St. Louis -<span style="font-style: italic;"> Storycubes</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE-azc_z5qfQxxfhYBgXxtdxJgYLmpSBgckazO8wBERBN3AOoLVt-N9vRAMEFg3KPM47sjexWTW9EevckgP2Dbd4zH6_Xw8VsfEaYsltHXI8cD6lSzRsrYXGtqMzT1jWaWsGgi-Ibhn9g/s1600/sukkah+city+ben+kaplan.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662801625671471890" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE-azc_z5qfQxxfhYBgXxtdxJgYLmpSBgckazO8wBERBN3AOoLVt-N9vRAMEFg3KPM47sjexWTW9EevckgP2Dbd4zH6_Xw8VsfEaYsltHXI8cD6lSzRsrYXGtqMzT1jWaWsGgi-Ibhn9g/s400/sukkah+city+ben+kaplan.jpg" style="cursor: pointer; width: 530px; height: 363px;" /></a><br /><br />Sean Corriel, New York - <span style="font-style: italic;">Thru-motion</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQjBtoNdwM9XG7K9hs8iv_3Kpq2wYJJ1VUtt_C95x7CrrwtrgbC1W3ano3dJW92H5GZz9ChFjQ8qIUbjQ11y6brDAaFlpf6pWySI5iQJbmLOVfKrZH8T60Um79gQZgwgnKAIJPYTmtTq4/s1600/sukkah-corriel.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662800937809745458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQjBtoNdwM9XG7K9hs8iv_3Kpq2wYJJ1VUtt_C95x7CrrwtrgbC1W3ano3dJW92H5GZz9ChFjQ8qIUbjQ11y6brDAaFlpf6pWySI5iQJbmLOVfKrZH8T60Um79gQZgwgnKAIJPYTmtTq4/s400/sukkah-corriel.jpg" style="cursor: pointer; width: 308px; height: 281px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfAEY9aO-Xbf3dBTWMLgzXtS10oASIQvt0uOJI3koQuic2LJBsjK6k9LafuFw9kaxvns_jIvvm-kkyjckqxSgFOLHJmR7WLMOQLut32Gd_VFY5kQLsgUvM_7ZD4FqX1BhbzX7v8Ij1nS0/s1600/sukkah-corriel1.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662800840246715026" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfAEY9aO-Xbf3dBTWMLgzXtS10oASIQvt0uOJI3koQuic2LJBsjK6k9LafuFw9kaxvns_jIvvm-kkyjckqxSgFOLHJmR7WLMOQLut32Gd_VFY5kQLsgUvM_7ZD4FqX1BhbzX7v8Ij1nS0/s400/sukkah-corriel1.jpg" style="cursor: pointer; width: 220px; height: 281px;" /></a><br /><br />Lea Oxenhandler and Evan Maxwell Litvin, <span style="font-style: italic;">Philadelphia</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinU9w5nuJdR2nMUycgohRY-v_j6BRXl5j_sem9qIuQq3zSoBRDOeGpqORXZCNeSR_zz99cG5DdIFbHhn0UwoUqymjGvD_EImMwSeHtqdXLCak83lVhLsV5l0oFyt3_X4jBht7pD8_rK2M/s1600/Sukkah-Oxenhalder_250.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662800671146770066" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinU9w5nuJdR2nMUycgohRY-v_j6BRXl5j_sem9qIuQq3zSoBRDOeGpqORXZCNeSR_zz99cG5DdIFbHhn0UwoUqymjGvD_EImMwSeHtqdXLCak83lVhLsV5l0oFyt3_X4jBht7pD8_rK2M/s400/Sukkah-Oxenhalder_250.jpg" style="cursor: pointer; width: 530px; height: 290px;" /></a><br /><br />Alexander Morley and Jennifer Wong, St. Louis - <span style="font-style: italic;">Exodus</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaH2exr9SkxUG7eGBh2PWl8zhTqcvqTqZjqoMmtSWvDokFbqgNbMIbIMmh0dwjnNLvRoDs9wcyfWEfjOW1y4FoEnkWBWk-2Go5S7cRUVw9ofe3EUiizgdAkIzzKRV8SYw76STP9TcBOLU/s1600/morley+wong1.png"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662800486857009202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaH2exr9SkxUG7eGBh2PWl8zhTqcvqTqZjqoMmtSWvDokFbqgNbMIbIMmh0dwjnNLvRoDs9wcyfWEfjOW1y4FoEnkWBWk-2Go5S7cRUVw9ofe3EUiizgdAkIzzKRV8SYw76STP9TcBOLU/s400/morley+wong1.png" style="cursor: pointer; width: 530px; height: 711px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnAYhim1Q4Kzl9b27IxekEx6sS5V38FqbHjdKCWN169qJf_7DDIddLVa5KrTzOyFUu6zu4OyUfqelBMit8fxw3-AMAvw3fHt30nCIy8ka0k9EOS1q58IPRHsvJoCunxsQTXAbSwmyVwkg/s1600/morely-wong2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662800411740296674" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnAYhim1Q4Kzl9b27IxekEx6sS5V38FqbHjdKCWN169qJf_7DDIddLVa5KrTzOyFUu6zu4OyUfqelBMit8fxw3-AMAvw3fHt30nCIy8ka0k9EOS1q58IPRHsvJoCunxsQTXAbSwmyVwkg/s400/morely-wong2.jpg" style="cursor: pointer; width: 530px; height: 547px;" /></a><br /><br />Casey Hughes Architects, Los Angeles - <span style="font-style: italic;">Sukkah Collective</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgaKIOXcNOdj_4ES66S2kjp-RbZWo_gfBArNFso6iwmW4M-flKIterTB7yFKo3G12n_mSUahIEI3BSy0kdTgQ1IZ6c8eVYut4TSDNHfZie-BbwMkykkhbOONeGbFCmVFB0t0oX8KgAhwQ/s1600/Sukkah-Casey_250.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662800046795770786" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgaKIOXcNOdj_4ES66S2kjp-RbZWo_gfBArNFso6iwmW4M-flKIterTB7yFKo3G12n_mSUahIEI3BSy0kdTgQ1IZ6c8eVYut4TSDNHfZie-BbwMkykkhbOONeGbFCmVFB0t0oX8KgAhwQ/s400/Sukkah-Casey_250.jpg" style="cursor: pointer; width: 527px; height: 338px;" /></a><br /><br />Christine Yogiaman, Forrest Fulton and Ken Tracy, St. Louis -<span style="font-style: italic;"> Gleaned</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUU4TXodLFfgzkQr2HqAs8gAz4ZHd0QvVm46ekshh50iVljyRPEj4t6-1m11BZxnWnyXmw2qg5CUAMljO4gya-Iaq2L9yIEYVfqFX0vSaX0JnJWqyjkXB4P_dzrWAdlc1cc4jMD5P9PeE/s1600/Sukkah-Trivers_250.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662802628529057314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUU4TXodLFfgzkQr2HqAs8gAz4ZHd0QvVm46ekshh50iVljyRPEj4t6-1m11BZxnWnyXmw2qg5CUAMljO4gya-Iaq2L9yIEYVfqFX0vSaX0JnJWqyjkXB4P_dzrWAdlc1cc4jMD5P9PeE/s400/Sukkah-Trivers_250.jpg" style="cursor: pointer; width: 527px; height: 341px;" /></a><br /><br />John Kleinschmidt and Andy Sternad, New Orleans - <span style="font-style: italic;">L’Chime Sukkah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdbCz7IgquikOqE967L1ia2_nbYr3YpxPgnkBboVHJhB26MAMR8Je_tGataVjUYDaLhiM7rK8u92R8FE5sZRkftcqrMauLaT1SX3r2p2iVcGQ6QasNx_AVauiVBtaIv_gcRD-v5RBr4JQ/s1600/Sukkah-Yogiaman_250.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662799276054845330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdbCz7IgquikOqE967L1ia2_nbYr3YpxPgnkBboVHJhB26MAMR8Je_tGataVjUYDaLhiM7rK8u92R8FE5sZRkftcqrMauLaT1SX3r2p2iVcGQ6QasNx_AVauiVBtaIv_gcRD-v5RBr4JQ/s400/Sukkah-Yogiaman_250.jpg" style="cursor: pointer; width: 527px; height: 404px;" /></a><br /><br />Bronwyn Charlton and Linda Levin, St. Louis<span style="font-style: italic;">. - Heliotrope</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0hElQAPp4XJ04OEOl0_NoI78ns_N8oRpn9vhT3SfKgCzH5HaY1mBh2Z_C3xH5TL1cwmHzPpvoWI3pRdT00c3WOeS8pRY9-rfZyOqlxWsvV4zgTcbSI6cuFdyNzC0Lnh-1sNvJOg7zu8Y/s1600/Sukkah1_60degree.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5662798793606412290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0hElQAPp4XJ04OEOl0_NoI78ns_N8oRpn9vhT3SfKgCzH5HaY1mBh2Z_C3xH5TL1cwmHzPpvoWI3pRdT00c3WOeS8pRY9-rfZyOqlxWsvV4zgTcbSI6cuFdyNzC0Lnh-1sNvJOg7zu8Y/s400/Sukkah1_60degree.jpg" style="cursor: pointer; width: 528px; height: 393px;" /></a><br /><br /><a href="http://samfoxschool.wustl.edu/sukkahcitystl/winners">Learn more about each of the designs here.</a><br /><br />WHAT: Sukkah City STL: Defining & Defying Boundaries<br />WHEN: Oct. 18-22<br />WHERE: Danforth Campus of Washington University in St. Louis, near the Ann W. Olin Women’s Building<br />COST: Free and open to the public<br /><br />The Jewish Feast of the Tabernacle, Sukkot, begins at sundown on Oct. 12, 2011, and ends at nightfall on Oct. 19. <br /><br />Support for Sukkah City STL is provided by the Charles and Bunny Burson Art Fund at the Sam Fox School of Design & Visual Arts.

Re-engineering Jewish Tradition. The Design Winners of Sukkah City, 2011.

Re-engineering Jewish Tradition. The Design Winners of Sukkah City, 2011.

above: one of the ten winning submissions, 60 degree Sukkah by Filip Tejchman of Brooklyn, NY, and Cambridge, MA Some of my readers may reca...

12:00 AM

Sukkah City: 12 Radically Re-Imagined Traditional Jewish Shelters For Sukkot.

<script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=0d650ffe-1ec7-4395-883b-24e806d21a65&type=website"></script><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTjK-Qs5WXVCrOiA1MQeMx0PYtEedk03SD4e-GllcbHMu7ulNIIjkED4Mt1xIXWRpIgtVAEK7T8AYfoqbPNBAoUZaaQHpMETMlwPq4Ms1A_FMSrFXCPETHme7a_N-wSxtWrjlJn6PpsUME/s1600/2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325846606641378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTjK-Qs5WXVCrOiA1MQeMx0PYtEedk03SD4e-GllcbHMu7ulNIIjkED4Mt1xIXWRpIgtVAEK7T8AYfoqbPNBAoUZaaQHpMETMlwPq4Ms1A_FMSrFXCPETHme7a_N-wSxtWrjlJn6PpsUME/s400/2.jpg" style="cursor: pointer; width: 484px; height: 374px;" /></a><br /><span style="font-size:85%;"><span style="font-style: italic;">above: a modern sukkah, Fractured Bubble, by Henry Grosman and Babak Bryan was "Fan favorite"</span></span><br /><br />Thanks to Ren and her wonderful blog, <a href="http://ladyofthearts.blogspot.com/">Lady of The Arts</a>, I have learned about 'Sukkah City', an international design competition which took place last week in New York to re-imagine Sukkahs, the temporary shelters or dwellings built during the week-long traditional Jewish Festival Of <a href="http://en.wikipedia.org/wiki/Sukkot">Sukkot</a> to commemorate the homelessness that occurred during their 40 years of wandering in the desert after the Exodus from Egypt.<br /><br />It's not easy to describe a Sukkah, so I'll let this video by Liz Nord do it for you:<br /><object height="323" width="530"><param name="movie" value="http://www.youtube.com/v/--njD4GOMe4?fs=1&hl=en_US&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/--njD4GOMe4?fs=1&hl=en_US&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="323" width="530"></embed></object><br />Traditional sukkahs:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUo-eZaQwAXx0y2ar2FsasJuJaIGjDSKks4RB1RxIs0SeH7etrSbUED2anNU5133Fd0WKX_9K-gAXoWi4vpry50sawkOeqlzCqILCYDFX6ihPmqGNxncjmsmOh6BAwUxYzB5j3b9stam4j/s1600/800px-Sukkah_Roofs.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521343185530754818" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUo-eZaQwAXx0y2ar2FsasJuJaIGjDSKks4RB1RxIs0SeH7etrSbUED2anNU5133Fd0WKX_9K-gAXoWi4vpry50sawkOeqlzCqILCYDFX6ihPmqGNxncjmsmOh6BAwUxYzB5j3b9stam4j/s400/800px-Sukkah_Roofs.jpg" style="cursor: pointer; width: 526px; height: 347px;" /></a><br /><br />624 people from 43 countries entered the competition. The 12 temporary structures that were chosen as the winning designs by a very impressive jury (listed later in this post) were constructed in Union Square Park’s South Plaza and were displayed publicly on September 19th and 20th (one of them, P.YGROS.C, collapsed immediately after construction). Here are the 12 winning concepts.<br /><br /><span style="font-weight: bold;">Gathering</span> by Dale Suttle, So Sugita, Ginna Nguyen:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKhbip5r4mLtEthbnyuI36Oky4uVK7iXdCilUdDoFw3vnPyH7H3pD5XZV1GDEiwfW6fsZdAtQwDRoMygLaN2Dl6iYov6b2Gtfu2PL6rbDhHSrzG-Zsvbg22hmwl1ZtEsJmfnSIUuNja2HH/s1600/3.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325768546786322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKhbip5r4mLtEthbnyuI36Oky4uVK7iXdCilUdDoFw3vnPyH7H3pD5XZV1GDEiwfW6fsZdAtQwDRoMygLaN2Dl6iYov6b2Gtfu2PL6rbDhHSrzG-Zsvbg22hmwl1ZtEsJmfnSIUuNja2HH/s400/3.jpg" style="cursor: pointer; width: 522px; height: 405px;" /></a><br /><span style="font-weight: bold;">LOG</span> by Kyle May and Scott Abrahams:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPjixMfR0CeD7j1YL2esx-BZg8-FyFZenImD6k5VdErm6sClkVgVIVyebzsRQi_AdDi-J7eqsn0fUr_zF_iTf_8qqakux_Oq-FPBbdKp4KW3egRrxaoWgFBK3z3IFDLo2tAQMk29SMoDGN/s1600/4.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325646791930706" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPjixMfR0CeD7j1YL2esx-BZg8-FyFZenImD6k5VdErm6sClkVgVIVyebzsRQi_AdDi-J7eqsn0fUr_zF_iTf_8qqakux_Oq-FPBbdKp4KW3egRrxaoWgFBK3z3IFDLo2tAQMk29SMoDGN/s400/4.jpg" style="cursor: pointer; width: 523px; height: 405px;" /></a><br /><span style="font-weight: bold;">Blo Puff</span> by Bittertang:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-yRYnAzrzReL94B1wsGhL-wrBdqidWYi0GoQaAI5ylnmdaORYH1znBd6d6TrTAORBf7k_00HQn_hy10jnjb-p9VDc4crTef-Ylhha7IpZz3bX2CpMDZ6Rh-RPslvWevnBP5Yam9ZgufQW/s1600/1.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325999635240306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-yRYnAzrzReL94B1wsGhL-wrBdqidWYi0GoQaAI5ylnmdaORYH1znBd6d6TrTAORBf7k_00HQn_hy10jnjb-p9VDc4crTef-Ylhha7IpZz3bX2CpMDZ6Rh-RPslvWevnBP5Yam9ZgufQW/s400/1.jpg" style="cursor: pointer; width: 526px; height: 407px;" /></a><br /><span style="font-weight: bold;">P.YGROS.C </span>/ passive hygroscopic curls by THEVERYMANY / Marc Fornes with Jared Laucks:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMF0oPrmK3N946N3rDEgPuY7ljpWW8ygR-pY5fGXLUHEmywXFgTq3gNLi8lzHFtTHY5gtA1Xw0FwlkolA8XliFsuToT2Y92X19dX4Z7Otp7rP3Yx56zNjtHMJoEH8x6xFif3wKoHk9XSCG/s1600/5.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325278740352178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMF0oPrmK3N946N3rDEgPuY7ljpWW8ygR-pY5fGXLUHEmywXFgTq3gNLi8lzHFtTHY5gtA1Xw0FwlkolA8XliFsuToT2Y92X19dX4Z7Otp7rP3Yx56zNjtHMJoEH8x6xFif3wKoHk9XSCG/s400/5.jpg" style="cursor: pointer; width: 525px; height: 407px;" /></a><br /><span style="font-weight: bold;">In Tension</span> by SO-IL:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCaSuyrrDAQRhbbOXSJXwTpEdwLwiIzDvmRvK0T_Gh6eVJQaJombt3e5OwjXZF1v5Rr1OYiQuFXEkceEn_8Ura90U6-mmrpcjTeuF78VldaRzACiayZfwJAoylsXcTDfHReFg97VC8Skpf/s1600/6.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325117856963026" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCaSuyrrDAQRhbbOXSJXwTpEdwLwiIzDvmRvK0T_Gh6eVJQaJombt3e5OwjXZF1v5Rr1OYiQuFXEkceEn_8Ura90U6-mmrpcjTeuF78VldaRzACiayZfwJAoylsXcTDfHReFg97VC8Skpf/s400/6.jpg" style="cursor: pointer; width: 527px; height: 410px;" /></a><br /><span style="font-weight: bold;">Sukkah of the Signs</span> by Ronald Rael, Virginia San Fratello:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg44YUj1zqsshEwZSputtgjkSgwVuXf6gfWBeS-ELSBP1Z9VG2OygoV9Bcj-jBN1Dx1tKo7GQTdV2ITaM4n82Pbo7tOn8qcyLheXdChUHNXwAVg7ALo3MhtH1hazfdTNq2XF4zJGE7IFsu3/s1600/7.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325002236846466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg44YUj1zqsshEwZSputtgjkSgwVuXf6gfWBeS-ELSBP1Z9VG2OygoV9Bcj-jBN1Dx1tKo7GQTdV2ITaM4n82Pbo7tOn8qcyLheXdChUHNXwAVg7ALo3MhtH1hazfdTNq2XF4zJGE7IFsu3/s400/7.jpg" style="cursor: pointer; width: 518px; height: 402px;" /></a><br /><span style="font-weight: bold;">Star Cocoon</span> by Volkan Alkanoglu:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtWdxUGlAx7TbuDaIpgQO7wqaHtqLJyO6rImBvdEyzj-34q9UfadqaeXy1BuCJ2J8YdaVeJZljPyl0rsipchux1iqUondBi7VUNnXmvAD8FTCHWxfu5nR2qukil1OPk1XIWgSl9gDTGgRZ/s1600/8.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521324920477084114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtWdxUGlAx7TbuDaIpgQO7wqaHtqLJyO6rImBvdEyzj-34q9UfadqaeXy1BuCJ2J8YdaVeJZljPyl0rsipchux1iqUondBi7VUNnXmvAD8FTCHWxfu5nR2qukil1OPk1XIWgSl9gDTGgRZ/s400/8.jpg" style="cursor: pointer; width: 519px; height: 402px;" /></a><br /><span style="font-weight: bold;">Single Thread </span>by Matter Practice:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtz4zXpq_TXIGzKnnur8NGTyxpl38fntSNMXwE_izvQLy5wBZZYqAIzFYIDWFiKavBxGPY_CiZQZVO23gWoZCLA3wvgDDle1aoTrOPsIr-uLbdB8jMUcHNbin7nDqZmiAxQfoVh11rWwD3/s1600/9.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521324685966289506" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtz4zXpq_TXIGzKnnur8NGTyxpl38fntSNMXwE_izvQLy5wBZZYqAIzFYIDWFiKavBxGPY_CiZQZVO23gWoZCLA3wvgDDle1aoTrOPsIr-uLbdB8jMUcHNbin7nDqZmiAxQfoVh11rWwD3/s400/9.jpg" style="cursor: pointer; width: 518px; height: 401px;" /></a><br /><span style="font-weight: bold;">Shim Sukkah</span> by tinder, tinker:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcuSZIuNVEBjxdo9Eow0xM1Zi3S1wkEy6T4rWwsWaVE73kXAN0LY9XJgLQkjTCeiqJUMQNKVhxOl18d9PMe46DZzhDVzEDPhKOmeezzureIURsS2oQMH5KXVPLHjphpJ6T9k8vmcgj0f0-/s1600/10.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521324599623294546" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcuSZIuNVEBjxdo9Eow0xM1Zi3S1wkEy6T4rWwsWaVE73kXAN0LY9XJgLQkjTCeiqJUMQNKVhxOl18d9PMe46DZzhDVzEDPhKOmeezzureIURsS2oQMH5KXVPLHjphpJ6T9k8vmcgj0f0-/s400/10.jpg" style="cursor: pointer; width: 519px; height: 401px;" /></a><br /><span style="font-weight: bold;">Repetition meets Difference | Stability meets Volatileness</span> by Matthias Karc:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihA8HqE69_h2GemjsqbkQxgoprbLv0BRkjwiKreBweOR-RIvWXT7ZvCKtJMbwb4BEYNOWO1MKB7iP02S50mC7QhENRPVzbToacZRJHYwvL2MMwB3Nof5hetaW1LEv9Y5g9cz3ugiGLV4Yn/s1600/11.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521324524430592594" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihA8HqE69_h2GemjsqbkQxgoprbLv0BRkjwiKreBweOR-RIvWXT7ZvCKtJMbwb4BEYNOWO1MKB7iP02S50mC7QhENRPVzbToacZRJHYwvL2MMwB3Nof5hetaW1LEv9Y5g9cz3ugiGLV4Yn/s400/11.jpg" style="cursor: pointer; width: 522px; height: 404px;" /></a><br /><span style="font-weight: bold;">Time/Timeless </span>by Peter Sagar:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSURm43MxlmRMLTurRpKJ2ymRklom5AZoPUKD00nUwTo1kf3xDZqz-5WlXcoElx7hT0f1xfPQ2U1gv-tiiPSQi_YBfDVmJAdHgUKnWmWiXcDNsXBsn0kowFY0a_k5A92NHeJLAE4bmFuO5/s1600/12.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521324429382975410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSURm43MxlmRMLTurRpKJ2ymRklom5AZoPUKD00nUwTo1kf3xDZqz-5WlXcoElx7hT0f1xfPQ2U1gv-tiiPSQi_YBfDVmJAdHgUKnWmWiXcDNsXBsn0kowFY0a_k5A92NHeJLAE4bmFuO5/s400/12.jpg" style="cursor: pointer; width: 523px; height: 405px;" /></a><br /><span style="font-weight: bold;">Fractured Bubble</span> by Henry Grosman and Babak Bryan:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTjK-Qs5WXVCrOiA1MQeMx0PYtEedk03SD4e-GllcbHMu7ulNIIjkED4Mt1xIXWRpIgtVAEK7T8AYfoqbPNBAoUZaaQHpMETMlwPq4Ms1A_FMSrFXCPETHme7a_N-wSxtWrjlJn6PpsUME/s1600/2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521325846606641378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTjK-Qs5WXVCrOiA1MQeMx0PYtEedk03SD4e-GllcbHMu7ulNIIjkED4Mt1xIXWRpIgtVAEK7T8AYfoqbPNBAoUZaaQHpMETMlwPq4Ms1A_FMSrFXCPETHme7a_N-wSxtWrjlJn6PpsUME/s400/2.jpg" style="cursor: pointer; width: 526px; height: 407px;" /></a><br /><a href="http://sukkahcity.com/">See all of the impressive entrants from 43 countries here.</a><br /><br /><span style="font-size:130%;"><span style="font-weight: bold;">Reality Disappoints?</span></span><br />While the concept of Sukkah City is fresh and exciting, some of the more common criticisms of the event were that the discrepancy between the impressive renderings and actual built structures were fairly great-- the completed buildings were disappointing when compared with the imagined concepts.<br /><br />The Gathering Sukkah as imagined and as realized:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX0wNZts_SLkcwj-9q9rN0kvxkqlaBh9TaaStRQIe6owe72CnAK-1VwfrETr-GsevCqP2SxoSwlZIQegbpfGPNQGXllxjHmke9EB6IkbGL36TogSASCErdv1Uhz8iBBaKA0ZXRcIPSeWcP/s1600/Gathering+side+by+side.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521341331588693714" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX0wNZts_SLkcwj-9q9rN0kvxkqlaBh9TaaStRQIe6owe72CnAK-1VwfrETr-GsevCqP2SxoSwlZIQegbpfGPNQGXllxjHmke9EB6IkbGL36TogSASCErdv1Uhz8iBBaKA0ZXRcIPSeWcP/s400/Gathering+side+by+side.jpg" style="cursor: pointer; width: 525px; height: 232px;" /></a><br /><br />"Log" was one of the few designs that remained faithful to the original rendering:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF6isWL0Ds0IWPrzBf3YuL5OHb_FZb9iQEjMs2BGpwBPs2SiUwet7MgzBas1XXj3WopteAHh83raZePl0JR0rkWfOOd0Cxa07sUNker0AJFTzz7TicCA60knm3JzD0hBH6puorKgY6J8AA/s1600/Picture+11.png"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521339486208255538" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF6isWL0Ds0IWPrzBf3YuL5OHb_FZb9iQEjMs2BGpwBPs2SiUwet7MgzBas1XXj3WopteAHh83raZePl0JR0rkWfOOd0Cxa07sUNker0AJFTzz7TicCA60knm3JzD0hBH6puorKgY6J8AA/s400/Picture+11.png" style="cursor: pointer; width: 525px; height: 467px;" /></a><br /><br />The blog <a href="http://humanscribbles.blogspot.com/2010/09/simple-complexity-and-complex.html">Human's Scribbles </a> has great good side-by-side comparisons of the renderings with the completed structures.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuQFLUYhiIatlPT7pPMvjlhn1yPrYbiBb3d5xZxzOeEo6sp2UBiMU8GlcV82C-S3Q3BxrA73yuNnMx0IZDnvU1-B4NAiZx9-sjAUZ-ChCb1lbbEd5QiTWxzJH_N08G9vxlBQ3QcLx7nrim/s1600/overhead+view.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521333261889386530" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuQFLUYhiIatlPT7pPMvjlhn1yPrYbiBb3d5xZxzOeEo6sp2UBiMU8GlcV82C-S3Q3BxrA73yuNnMx0IZDnvU1-B4NAiZx9-sjAUZ-ChCb1lbbEd5QiTWxzJH_N08G9vxlBQ3QcLx7nrim/s400/overhead+view.jpg" style="cursor: pointer; width: 522px; height: 391px;" /></a><br /><br />The two day display culminated with Mayor Bloomberg announcing “Fractured Bubble,” a design created by Henry Grosman and Babak Bryan of Long Island City, Queens, as the “People’s Choice” winner:<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdhl2zHHjIS5W8BMoOrr8aKELQzZNJnw8vOxh0JhKWsVEWbEGktB5CVUMIdVQ_wG_I-x1lQwTD4CaP-R5wD6Ntt-BroBls6Y5jgJx1Vqouu1b3rvzPpq8Xlw4w4ImvTkuuyKOJd6wUdS23/s1600/fractured+bubble+side+by+side.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521339187412079122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdhl2zHHjIS5W8BMoOrr8aKELQzZNJnw8vOxh0JhKWsVEWbEGktB5CVUMIdVQ_wG_I-x1lQwTD4CaP-R5wD6Ntt-BroBls6Y5jgJx1Vqouu1b3rvzPpq8Xlw4w4ImvTkuuyKOJd6wUdS23/s400/fractured+bubble+side+by+side.jpg" style="cursor: pointer; width: 520px; height: 216px;" /></a><br /><br />The following photos from the event are courtesy of Benjamin Norman for the New York Times, who published <a href="http://www.nytimes.com/2010/09/26/nyregion/26critic.html">this article</a> on the event:<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJY64K5vNehCbH8IEwAY-5KKu5lzU6oKVu32e6tW90eRNRyF8SIJ9uEA4n-zSHAUrJoTICAisqtraTBugi4WIG-sbnkmE2bNTUSCjWXY15jbhwiHFOokK9WttQ1mpNIJ7zMEA__U8HbKL-/s1600/benjamin+norman+for+NY+times.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521336102280595794" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJY64K5vNehCbH8IEwAY-5KKu5lzU6oKVu32e6tW90eRNRyF8SIJ9uEA4n-zSHAUrJoTICAisqtraTBugi4WIG-sbnkmE2bNTUSCjWXY15jbhwiHFOokK9WttQ1mpNIJ7zMEA__U8HbKL-/s400/benjamin+norman+for+NY+times.jpg" style="cursor: pointer; width: 526px; height: 289px;" /></a><br /><span style="font-size:85%;"><span style="font-style: italic;">above: a panoramic view of the event</span></span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiONlaG5n4LSHjcpVqvmDViMfelOV0TGsOwThxlXN9R7UUNN-sc3AABDDaS2MnZlUm2Eyl-dsPAKEa5DUa9Hj6pFGjh9DoAps0kqD8GY7H_Pow4CEooDa1R8pMdf1CBFATfUL7FQO0Ft0uq/s1600/jp-CRITIC-1-popup.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521335986584957538" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiONlaG5n4LSHjcpVqvmDViMfelOV0TGsOwThxlXN9R7UUNN-sc3AABDDaS2MnZlUm2Eyl-dsPAKEa5DUa9Hj6pFGjh9DoAps0kqD8GY7H_Pow4CEooDa1R8pMdf1CBFATfUL7FQO0Ft0uq/s400/jp-CRITIC-1-popup.jpg" style="cursor: pointer; width: 526px; height: 351px;" /></a><br /><span style="font-size:85%;"><span style="font-style: italic;">above: peeking inside the Shim Sukkah</span></span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAK5woOJWbU0JNMlaYBmHnBXnNyGvSByO7dy9J-4v34ZK5bou1BOShO1T7xf5doS3Zbh9ecSOCspVwg7Hz6bwBb78-TN0E9EEF_KdNshXzk2pCzyvxL_27CrUdusSLBVouKq7rSs6uZwVt/s1600/jp-CRITIC-4-popup.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5521335893270157138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAK5woOJWbU0JNMlaYBmHnBXnNyGvSByO7dy9J-4v34ZK5bou1BOShO1T7xf5doS3Zbh9ecSOCspVwg7Hz6bwBb78-TN0E9EEF_KdNshXzk2pCzyvxL_27CrUdusSLBVouKq7rSs6uZwVt/s400/jp-CRITIC-4-popup.jpg" style="cursor: pointer; width: 525px; height: 349px;" /></a><br /><span style="font-size:85%;"><span style="font-style: italic;">above: the Blo Puff sukkah, a far cry from the original rendering</span></span><br /><br />The process and results of the competition, along with construction documentation and critical essays, will be published in the forthcoming book "Sukkah City: Radically Temporary Architecture for the Next Three Thousand Years."<br /><br />The jury consisted of  these impressive designers, illustrators, architects and writers:<br />* Michael Arad<br />* Ron Arad<br />* Rick Bell<br />* Allan Chochinov<br />* Matias Corea<br />* Paul Goldberger<br />* Steven Heller<br />* Natalie Jeremijenko<br />* Maira Kalman<br />* Geoff Manaugh<br />* Thom Mayne<br />* Thomas de Monchaux<br />* Ada Tolla<br />* Adam Yarinsky<br /><br />Next year, Sukkah City will expand from New York City to cities all around the world. If your community would like to be part of Sukkah City 2011, please contact them at<span style="text-decoration: underline;"> </span><a href="mailto:sukkahcity@gmail.com">sukkahcity@gmail.com</a>.<br /><br />To learn who was behind this, the sponsors and more, visit <a href="http://sukkahcity.com/">Sukkah City.</a>

Sukkah City: 12 Radically Re-Imagined Traditional Jewish Shelters For Sukkot.

Sukkah City: 12 Radically Re-Imagined Traditional Jewish Shelters For Sukkot.

above: a modern sukkah, Fractured Bubble, by Henry Grosman and Babak Bryan was "Fan favorite" Thanks to Ren and her wonderful blog...

12:51 PM

A Modern Haggadah Will Hip Up Your Passover Seder. Here's 20 Of Them.

<script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=0d650ffe-1ec7-4395-883b-24e806d21a65&type=website"></script><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDfLH7SUmvAofx3uoj1D5eeniN0H57QufuSqWJHwzZLXikhrB8IXJHaxXN2ly8W9br03qCC1CUtd_5SP_H6WphqoJbelKuxM6tRsuCRxCdwRSW-VPePp4H1e40ksAWyPFzVMCCFEUDg-Y/s1600-h/modernhaggadahhero.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322407614563100082" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDfLH7SUmvAofx3uoj1D5eeniN0H57QufuSqWJHwzZLXikhrB8IXJHaxXN2ly8W9br03qCC1CUtd_5SP_H6WphqoJbelKuxM6tRsuCRxCdwRSW-VPePp4H1e40ksAWyPFzVMCCFEUDg-Y/s400/modernhaggadahhero.jpg" style="cursor: pointer; width: 529px; height: 529px;" /></a><br /><span style="font-style: italic;">Note: this is an updated version  of last year's post.<br /><br /></span>The first night of Passover is Monday, the 29th of March and will continue for 7 days until Monday, the 5th of April.<br /><br /><span style="font-weight: bold;">So wtf is Passover?</span> For you non MOTs, <a href="http://www.chabad.org/holidays/passover/default_cdo/jewish/Passover.htm">you can learn here.</a><br /><br />On Monday night,  the first Seder dinner will place in most observant homes where children and adults alike will be reading from their Haggadot (that's the plural of Haggadah).<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjggX_b0wDABePSqKr1DIqTH4Nxvf183BAS2BC2OxHvSqyTZCE3J8H5opVDJw679vjre6zAtn0zawBAIUr6j-G74gIgV-Qq3a0D3Bly8fznESaMfDltJ9AhjCIKf86uOf5rE08m7uin9cU/s1600-h/gettyseder.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322712403413681154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjggX_b0wDABePSqKr1DIqTH4Nxvf183BAS2BC2OxHvSqyTZCE3J8H5opVDJw679vjre6zAtn0zawBAIUr6j-G74gIgV-Qq3a0D3Bly8fznESaMfDltJ9AhjCIKf86uOf5rE08m7uin9cU/s400/gettyseder.jpg" style="cursor: pointer; width: 526px; height: 391px;" /></a><br />Above: a traditional Passover Seder<span style="font-style: italic;"> </span><span style="font-style: italic;">(getty images)<br /><br /></span><span style="font-weight: bold;">What is a Haggadah?</span><br />A compilation of biblical passages, prayers, hymns, and rabbinic literature meant to be read during the Passover Seder, a ceremonial meal held in Jewish homes to commemorate the Israelite redemption from Egypt in biblical times.<br /><br />Growing up in my household, you had the choice to read from the mimeographed or ditto machine duplicated and bound Haggadah (that still smelled like carbon paper) or the incredibly boring text laden one handed out by the local synagogue- complete with drawings of stick figures.<br /><br />But since then, there have been some beautifully illustrated versions created by both well-known artists like Russian Constructivist <a href="http://en.wikipedia.org/wiki/El_Lissitzky">El Lissitzky </a>and <a href="http://en.wikipedia.org/wiki/Leonard_Baskin">Leonard Baskin</a> as well as lesser known contemporary artists like <a href="http://www.jtsa.edu/Conservative_Judaism/JTS_Torah_Commentary/Rabbi_Matthew_Berkowitz.xml">Rabbi Matthew L. Berkowitz</a> and papercut artist <a href="http://www.archiegranot.com/">Archie Granot</a>.<br /><br />Here are some images from various modern art Haggadot for you (many of which are courtesy of Yale University's Library and Judaica Collection).  Images such as The Seder table, The Four Sons, The Red Sea, the Plagues, Manna From Heaven, Had Gadya, The Exodus, burning bushes, lambs blood, Pharaohs and more are diversely illustrated by these respected artists. Take a look - jewish or not, if you like art, you'll most likely will appreciate these.<br /><br /><span style="font-weight: bold;font-size:130%;" >Modern Art Haggadahs:</span><br /><br /><span style="font-weight: bold;">1. The Yaakov Agam Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicDFFwJYV1M_buBSv5EbA6iYxlhRaWSgfAyPiB66Pkopmz19Vkcc6oDohB2oFCzxygy7jfZiIO5j5vrOdm9sA0suH4j4lNxzN-o1M6U6y2Fbvsjxddq0MgLkMy3ToOewsRzNwnXDAjdpw/s1600-h/agamhaggadah.gif" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322407803933992578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicDFFwJYV1M_buBSv5EbA6iYxlhRaWSgfAyPiB66Pkopmz19Vkcc6oDohB2oFCzxygy7jfZiIO5j5vrOdm9sA0suH4j4lNxzN-o1M6U6y2Fbvsjxddq0MgLkMy3ToOewsRzNwnXDAjdpw/s400/agamhaggadah.gif" style="cursor: pointer; width: 530px; height: 528px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9j3Ucax-OaV_atih5zxRnZHIdCT5F62GO5qh2xZTA1whyphenhyphensawGWXD7o0eHkZizz4mVzcpYEExNmms9M4zyxX-D-pWWSVZTkDxM5bqdDv6xH49HjXnFKCAFEs-qfd90IgqoroOYp9VOr9lw/s1600-h/01-025.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322378071589358418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9j3Ucax-OaV_atih5zxRnZHIdCT5F62GO5qh2xZTA1whyphenhyphensawGWXD7o0eHkZizz4mVzcpYEExNmms9M4zyxX-D-pWWSVZTkDxM5bqdDv6xH49HjXnFKCAFEs-qfd90IgqoroOYp9VOr9lw/s400/01-025.jpg" style="cursor: pointer; width: 525px; height: 525px;" /></a><br /><br />Yaakov Agam created illustrations for the Haggadah that can be described as geometric abstractions. Though Agam was raised in a strictly observant home by a father who was a rabbi and a mystic, Agam's art for his Hagadah is light and playful. Using vibrant colors, stick letters, and geometric shapes, he continues the great tradition of Haggadah illustration while adding a flare that is uniquely his own.<br /><br />Illustrations and calligraphy: Yaakov Agam (1928- ) Jerusalem: Gefen Publishing House, 1993<br />Images copyright © Yaakov Agam.<br /><br /><span style="font-weight: bold;">2. The Leonard Baskin Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNLHV1tUF_XEU93INUou1QMMJSvQpkYhoopmUb_guo77wQ9_nxTypmx1WNU0d7Sv62UB1rWpARUYyfh-osNcOTZqdwI0KShzrptbmKVbsKPnrxs4neyp7uAEOlmt-yryHr4b5pqiN1a5SB/s1600-h/baskin1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322379558620189122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNLHV1tUF_XEU93INUou1QMMJSvQpkYhoopmUb_guo77wQ9_nxTypmx1WNU0d7Sv62UB1rWpARUYyfh-osNcOTZqdwI0KShzrptbmKVbsKPnrxs4neyp7uAEOlmt-yryHr4b5pqiN1a5SB/s400/baskin1.jpg" style="cursor: pointer; width: 538px; height: 398px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4NoXllSM1_PCGt0h744i6Fyi5jMZMdY9lQHhhBF3dXYg4KbtBrQmRou8h28ADnzvH-mzT9_x8QDRsCBuZnJKhQuok8BujxbadPSdggMwHjDV1gZFRTA5VGNnGsptwPzBb8GwuqE_8SKEY/s1600-h/baskin2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322379495728798626" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4NoXllSM1_PCGt0h744i6Fyi5jMZMdY9lQHhhBF3dXYg4KbtBrQmRou8h28ADnzvH-mzT9_x8QDRsCBuZnJKhQuok8BujxbadPSdggMwHjDV1gZFRTA5VGNnGsptwPzBb8GwuqE_8SKEY/s400/baskin2.jpg" style="cursor: pointer; width: 533px; height: 389px;" /></a><br /><br />Most probably it was Baskin's early Jewish upbringing and education and his concern with social causes that attracted him to illustrating the Haggadah. Much like Ben Shahn, he worked in water colors and did his own calligraphy. Indeed art and text in Baskin's Haggadah illustrations become inseparable.<br /><br />A Passover Haggadah. The New Union Haggadah. Edited by Herbert Bronstein; drawings by Leonard Baskin. New York: Central Conference of American Rabbis [1974]. Images copyright © Central Conference of American Rabbis.<br /><br /><span style="font-weight: bold;">3. The Matthew Berkowitz Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOePStv8H3tFARUmVzlKWshRbZENbWC9pCHEWzTehZUhWzo588xiUrZ7aLDFz6Y-7g6HHt4nPVDlAawkizlWELKG2nsR1Ne7HaiNNHSKM7ft8gj37UKDeG5-ycWwvy2l2nhn0WHX-dJDkA/s1600-h/Haggadahs+050.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322380977197318114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOePStv8H3tFARUmVzlKWshRbZENbWC9pCHEWzTehZUhWzo588xiUrZ7aLDFz6Y-7g6HHt4nPVDlAawkizlWELKG2nsR1Ne7HaiNNHSKM7ft8gj37UKDeG5-ycWwvy2l2nhn0WHX-dJDkA/s400/Haggadahs+050.jpg" style="cursor: pointer; width: 531px; height: 359px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1CwQsdmidPzaNHEzO9XCWEQP3c5Bhn3SKhOjJrdwfjDNYTwma1XqPVtuh3SekvF4j6pRSlJ6sg6nxgR5lG8_1cCcJaOAZOgbpO19hK7018PIlOqJKJgfpZGgEvRsZdiQ26lLUBqx-gT6J/s1600-h/Haggadahs+105.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322380901234703490" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1CwQsdmidPzaNHEzO9XCWEQP3c5Bhn3SKhOjJrdwfjDNYTwma1XqPVtuh3SekvF4j6pRSlJ6sg6nxgR5lG8_1cCcJaOAZOgbpO19hK7018PIlOqJKJgfpZGgEvRsZdiQ26lLUBqx-gT6J/s400/Haggadahs+105.jpg" style="cursor: pointer; width: 525px; height: 364px;" /></a><br /><br />Passover Landscapes; Illuminations on the Exodus. Portfolio of 27 signed and numbered giclee prints, Haggadah and Book of Commentary by Matthew L. Berkowitz. Jerusalem: Nirtzah Editions, 2006.<br /><br />Berkowitz is a rabbi whose current position is that of Senior Rabbinic Fellow in the Florida Regional Office of the Jewish Theological Seminary of America. Landscapes according to Berkowitz "convey the soul of the Passover experience." It is "an expanse of scenery that can be seen in a single view. The seder imparts the breadth of Jewish experience, treating us to a panoramic view of Judaism through text and interpretation." Of his work, Berkowitz writes, "I hope to challenge the ennui often experienced around the seder table and to recapture a spirit of creativity and spontaneity." In addition to the images, the calligraphy is also by the artist.<br />Images copyright © Matthew Berkowitz.<br /><br /><br /><span style="font-weight: bold;">What is Had Gadya (An Only Kid)?</span><br />Had Gadya is a folk song in Aramaic which concludes the Passover Haggadah. It is a relatively late addition to the Ashkenazi (Central European) Haggadah text and does not appear in the medieval editions. Much beloved by both young and old, it is about a goat purchased by father for two zuzim (coins). It is a playful, cumulative song which has, however, dark undertones.<br /><br />4. <span style="font-weight: bold;">Menachem Birnbaum's Chad Godjo (Had Gadya)</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin6mtdpvFGrWv5BDbJEC165wLWcQwqRP49eIcNLw2sRUPmj1JAWczTYVnbnf6JAGpL05PRx0anB28kzL24Ue_d-nMgNUbMSJwUS0bUnW4TRFSVkHNTIc4mE55NfYw1Jqj39_RAfWleXOG9/s1600-h/1131610.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322383000881697922" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin6mtdpvFGrWv5BDbJEC165wLWcQwqRP49eIcNLw2sRUPmj1JAWczTYVnbnf6JAGpL05PRx0anB28kzL24Ue_d-nMgNUbMSJwUS0bUnW4TRFSVkHNTIc4mE55NfYw1Jqj39_RAfWleXOG9/s400/1131610.jpg" style="cursor: pointer; width: 532px; height: 660px;" /></a><br />Illustrated by Menachem Birnbaum (1893-1944), translation into German by Uriel Birnbaum. Berlin: Welt-Verlag, 1919.<br /><br />The brothers Menachem and Uriel Birnbaum created imaginative and expressionistic books in post-World War I Germany and Austria. Both were artists and writers and they often collaborated on the books they produced. The illustrations that Menachem Birnbaum created for his edition of the Had Gadya reflect the trauma and pessimism of the post-war period in Germany and seem to foreshadow the horrors that were still to come. A portraitist and graphic artist, he worked as an art editor for Jewish journals and after World War I became the art director of two Jewish publishing houses. Compare Birnbaum's interpretation to that of Lissitzky, whose Had Gadya illustrations are also in this exhibit, published in the same year. Both reflect on the cataclysmic events of their age but while Lissitzky seems to see a more hopeful future, Birnbaum sees only devastation.<br /><br /><span style="font-weight: bold;">5. Rose Ann Chasman's Miniature Had Gadya, 1992</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh30w7GbhAagcDWlV6lEOe3FNdD5IwsdENnu9Vvnk8Ml7AcP1FvOjTRz4MSrwiKmtkV-vZxGM6_d_76mrJcU0mE1MIUoKzEZq0tQa0ntXjxg-gCGifNzTE8hf5KZM64nWzI9Qgqzda6PQQw/s1600-h/H103.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322383292256821202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh30w7GbhAagcDWlV6lEOe3FNdD5IwsdENnu9Vvnk8Ml7AcP1FvOjTRz4MSrwiKmtkV-vZxGM6_d_76mrJcU0mE1MIUoKzEZq0tQa0ntXjxg-gCGifNzTE8hf5KZM64nWzI9Qgqzda6PQQw/s400/H103.jpg" style="cursor: pointer; width: 528px; height: 99px;" /></a><br />This delightful artistic rendition of the Had Gadya is in accordian format and is cut and collaged. It is hand written and cut and may be a unique piece. Image copyright © Chasman Family.<br /><br />6. <span style="font-weight: bold;">The Asher Kalderon Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3xhPPfnZW0EoBShH-N3I2ZB32txhFw0txEGuyRQA1QXb5BHCUHBY_bu4c0mp4DjbS7FK2pj8tXZnTsuRa0sGraFBT7GzdYDbfC8VrQPziMxK0v01TeERfHPkSOI32GSvS58vz-FKkEv3/s1600-h/kalderon3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322383948302198578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3xhPPfnZW0EoBShH-N3I2ZB32txhFw0txEGuyRQA1QXb5BHCUHBY_bu4c0mp4DjbS7FK2pj8tXZnTsuRa0sGraFBT7GzdYDbfC8VrQPziMxK0v01TeERfHPkSOI32GSvS58vz-FKkEv3/s400/kalderon3.jpg" style="cursor: pointer; width: 529px; height: 474px;" /></a><br />Tel-Aviv, 2006. The Hebrew type and Headline letters were especially designed by the artist for this book. Limited edition of 396 copies.<br /><br />Kalderon, an Israeli artist trained at the Bezalel School of Art in Jerusaelem, says this about his Haggadah illustrations "I have always loved the beauty of old Passover Haggadahs. They were splendid expressions of art, commissioned by wealthy families to beautify their Passover tables and as a legacy for generations to come. Now it was my turn to bring a new perspective to an old story. It was time for an innovative, unusual and beautiful Haggadah, to be treasured as a work of art, in the present and for generations to come. I used popular icons from ancient and universal mythology, all designed and decorated in my color scale and personal style. The extended format of the book was chosen to glorify the story of the Exodus." Images copyright © Asher Kalderon.<br /><br /><span style="font-weight: bold;">7. The Offenbacher (Fritz Kredel) Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY5kSG54wGJpwZTnp03fak2Hm1W3fz8zaSp_uWCkdjDTxda41WuNvgRnj7GqhXXNZzJMUjSyPsbNMQNK3eZsK7BGmOJfGH2PuRtfTm8XrjR_UgX6qUTrqVcnmKuuPYvHUjy1GlIw9w6tFo/s1600-h/002.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322384967467884818" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY5kSG54wGJpwZTnp03fak2Hm1W3fz8zaSp_uWCkdjDTxda41WuNvgRnj7GqhXXNZzJMUjSyPsbNMQNK3eZsK7BGmOJfGH2PuRtfTm8XrjR_UgX6qUTrqVcnmKuuPYvHUjy1GlIw9w6tFo/s400/002.jpg" style="cursor: pointer; width: 536px; height: 661px;" /></a><br /><br />Fritz Kredel's Haggadah was printed in two colors on Zerkall Bütten paper including 12 handcolored illustration pages by the artist. It also contains pages with musical notes. Though primarily in German, key passages also contain Hebrew and the text that appears in the illustrations is exclusively in Hebrew. The Haggadah represents a landmark in German-Jewish bookmaking in Weimar Germany.<br /><br />Offenbacher Haggadah, 1927. Illustrations by Fritz Kredel (1900-1973). Offenbach am Maine: the printing house of Doctor Guggenheim. Printed in a limited edition of 300 copies.<br /><br /><span style="font-weight: bold;">8. El Lissitsky's Had Gadya; An Only Kid</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnXN1wGxNXjC5ZO9Fcmu2QSQf_KqeFig9JxIY8J-ITKFhXbi61_u_StT6eMqxEV46KzSXjGWVnw2pTeiNv2_rd2OoS5zelItEMUuzgLUXwzuVGGA259JeJFcjzo2nqlgIzN56rg0aCYLBE/s1600-h/01-016.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322385682704224754" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnXN1wGxNXjC5ZO9Fcmu2QSQf_KqeFig9JxIY8J-ITKFhXbi61_u_StT6eMqxEV46KzSXjGWVnw2pTeiNv2_rd2OoS5zelItEMUuzgLUXwzuVGGA259JeJFcjzo2nqlgIzN56rg0aCYLBE/s400/01-016.jpg" style="cursor: pointer; width: 539px; height: 311px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9m0S7r16OFxujLKf3Mt8WFYDGeqmICoytJPIM00MludcpUEKbjVKrLBZGMPtpV7S7Qj1uujuRGIGU1KdEq47d2lHCsewD46v_mfx6DnS-EF5VFzvScd46lTR5fAEZLIxdLCSUZ7dHOg_2/s1600-h/01-017.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322385832790943106" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9m0S7r16OFxujLKf3Mt8WFYDGeqmICoytJPIM00MludcpUEKbjVKrLBZGMPtpV7S7Qj1uujuRGIGU1KdEq47d2lHCsewD46v_mfx6DnS-EF5VFzvScd46lTR5fAEZLIxdLCSUZ7dHOg_2/s400/01-017.jpg" style="cursor: pointer; width: 533px; height: 594px;" /></a><br /><br />One of the great artists of the Russian Avant Garde of post-revolutionary Russia, Lissitzky studied together with Marc Chagall in the city of Vitebsk, Russia, with the Suprematist artist Kazimir Malevich. Lissitzky was interested in Jewish folk art and his illustrations for the Had Gadya reflect this interest. All the images depict the world of the small East European villages where the vast majority of Jews lived in the beginning of the 20th century. In Lissitzky's artistic interpretation, the poem becomes an elegy for that world that had been decimated by war and revolution. The verses that surround each image are in Yiddish, the language of East European Jewry. Violence is the over-riding theme of the song and of the artist's illustrations. The only hopeful image is that of the defeat of the Angel of Death by the divine hand. The fallen angel has a crown on its head and some take that to represent the recently deposed and executed Czar.<br /><br />Illustrations and calligraphy by El (Eliezer) Lissitzky (1890-1941). Kiev, Tsentraler Bikher Lager, Kultur Lige, 1919.<br /><br /><span style="font-weight: bold;">9. Mikhail Magaril  An Only Kid.</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTi4bCP4P60SsnsoEzSixu_TQ4HcWIlKyD-SEZfGqQ1XQ5VLer62At9okDrmvXwvuVLYPeF79wPrpcw-TfSCSTJV-GFa45DvonXSAjz-McSlMF4vhyyqYrxMLEByBxJhuSAnts9aZPUyjl/s1600-h/magaril.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322388568685283954" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTi4bCP4P60SsnsoEzSixu_TQ4HcWIlKyD-SEZfGqQ1XQ5VLer62At9okDrmvXwvuVLYPeF79wPrpcw-TfSCSTJV-GFa45DvonXSAjz-McSlMF4vhyyqYrxMLEByBxJhuSAnts9aZPUyjl/s400/magaril.jpg" style="cursor: pointer; width: 535px; height: 247px;" /></a><br /><br />Mikhail Magaril has chosen the image of the arrival of the Messiah riding on his white donkey to illustrate the concluding stanza of the song. This is a stock image that appears in Christian iconography as well. Artists usually place it with the passage in the Hagadah that begins with: "Pour out your wrath on the nations that do not know You" or with the ending statement of the seder "Next year in Jerusalem." Mikhail Magaril, however, has chosen to set his minimalist interpretation of this iconic image at the end of the Had Gadya. He thus reverses the nihilism inherent in the song, which is about death and destruction, and ends it on a note of hope for a better world to come. Monoprints by Mikhail Magaril. NewYork: Kuboaa Press, 1998.<br /><br />Printed in an edition of 18 by Russell Maret. The text type is Centaur, designed by Bruce Rogers, printed on Rives de Lin paper. Images copyright © Mikhail Magaril.<br /><br /><span style="font-weight: bold;">10. The Victor Majzner Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCdxyYFqOIhB3qxLBUqdga0Y3gTVypllRZ_2Q2UjilKLoe5Tpp4wMqCNYyEnksJEK6mfoS3wZkXCAnmhYd36eiu32jkYDYHr-oO8ibkL8vHg_ZFESVdua60h55RQHM5Nj5fTknC0RDYtac/s1600-h/1131612.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322389441814775650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCdxyYFqOIhB3qxLBUqdga0Y3gTVypllRZ_2Q2UjilKLoe5Tpp4wMqCNYyEnksJEK6mfoS3wZkXCAnmhYd36eiu32jkYDYHr-oO8ibkL8vHg_ZFESVdua60h55RQHM5Nj5fTknC0RDYtac/s400/1131612.jpg" style="cursor: pointer; width: 528px; height: 323px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzg65-RIGXy0z43uHM7AGAnA6sQcUmKugxu7c67SlaUS98ZVnanSxJCOCXAcQ8r8NjxYkhaw9JI0OScCZ_uF6V28OADpSDdcb5L2zLaFYo3VSXE6gEKmpv9JNw6oucocBfYS797i-VgIy1/s1600-h/1131614+copy.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322389377230099714" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzg65-RIGXy0z43uHM7AGAnA6sQcUmKugxu7c67SlaUS98ZVnanSxJCOCXAcQ8r8NjxYkhaw9JI0OScCZ_uF6V28OADpSDdcb5L2zLaFYo3VSXE6gEKmpv9JNw6oucocBfYS797i-VgIy1/s400/1131614+copy.jpg" style="cursor: pointer; width: 528px; height: 312px;" /></a><br /><br />In his introduction to his Haggadah, Victor Majzner discusses his connection to the text and to his adopted home, Australia. "Images from the Haggadah haunted my imagination. and finally I decided to produce my own interpretation of a complete contemporary Haggadah. It took four years to complete all the paintings and I feel that their implications will affect my work for the rest of my life." "Australia has been my adopted home for over thirty years and it has become a place with which I relate intimately. Its landscape, scale, light and history have been major themes in my work and continue to inspire me."<br /><br />The Australian Haggadah Illustrations by Victor Majzner; calligraphic illustrations by Andrew Majzner, text calligraphy by Zelman Snir. Melbourne, Australia, 1992. Images copyright © Victor Majzner.<br /><br /><span style="font-weight: bold;">11. The Tamar Messer (Exodus) Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJOTfDryvGqt6yJ3Oq8Qlk9HxfOfF1qxVUQ2QiLwGiaWbIET_FlDc71fiVDSNgF7wsJZQQGdw-i3sp7zOxu7LAAZ-TUWtYE74Nd0EZwcOAx35qYn9_lUuxmQw_MrpeK6_KXsScZZOwhkka/s1600-h/1131619.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322393060464125650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJOTfDryvGqt6yJ3Oq8Qlk9HxfOfF1qxVUQ2QiLwGiaWbIET_FlDc71fiVDSNgF7wsJZQQGdw-i3sp7zOxu7LAAZ-TUWtYE74Nd0EZwcOAx35qYn9_lUuxmQw_MrpeK6_KXsScZZOwhkka/s400/1131619.jpg" style="cursor: pointer; width: 530px; height: 514px;" /></a><br /><br />The Exodus Haggadah. Illustrations by Tamar Messer. Haifa, Israel: Gallery/Studio Tamar Messer, 2004. This number is 15 of a limited edition of 130 copies. Messer is an Israeli artist based in Haifa. She adopts a naïve style in her illustrations and her color palate is influenced by the bright and vivid light of the Israeli landscape. Images copyright © Tamar Messer.<br /><br /><span style="font-weight: bold;">12. The Raymond Moretti Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS4Z87G57ubMCjv1u7TDsmpLB4UNYiUZW11eTSPXRxe1DnNeUvKRe4f3yXGA7EhVax-45kfn3mA6I5yld-fh2iJEa7WSfXeQwGrnQhDdiHcBjqJXpiamYWc8Z23TokLBSHmIkE3qqxMLPH/s1600-h/01-013.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322392212559782210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS4Z87G57ubMCjv1u7TDsmpLB4UNYiUZW11eTSPXRxe1DnNeUvKRe4f3yXGA7EhVax-45kfn3mA6I5yld-fh2iJEa7WSfXeQwGrnQhDdiHcBjqJXpiamYWc8Z23TokLBSHmIkE3qqxMLPH/s400/01-013.jpg" style="cursor: pointer; width: 526px; height: 688px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid-zfCo9t9uwpkGUaGO4GtT_6vcowFCv2te7vQs9qkzJiJt67569T9jNpROieoqUf-D4ntaZeUNM6OcRIbJJxR9ZR3-wDKGPy4fgYQKFpPk7oc1g3e6VbtPwIQ96eD7okYqxscbdXvuD0H/s1600-h/01-014.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322392122445042802" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid-zfCo9t9uwpkGUaGO4GtT_6vcowFCv2te7vQs9qkzJiJt67569T9jNpROieoqUf-D4ntaZeUNM6OcRIbJJxR9ZR3-wDKGPy4fgYQKFpPk7oc1g3e6VbtPwIQ96eD7okYqxscbdXvuD0H/s400/01-014.jpg" style="cursor: pointer; width: 528px; height: 348px;" /></a><br /><br />Moretti's abstract art blends Modernism and Jewish Mysticism. The explosive energy of his art is barely contained by the limits of the page. Moretti's illustrations do not necessarily appear in relation to a specific section of the Haggadah text but rather make dramatic statements concerning the Exodus story often using letters from the Hebrew alphabet as elements in their most abstract form.<br /><br />Haggadah de la Cinquième coupe (The Haggadah of the 5th Cup). Illustrated by Raymond Moretti (1931-2005), original calligraphy by Asher Amar. [Paris?]: Editions Armand & Georges Israel, 1980. Text in Hebrew with French translation.<br /><br /><span style="font-weight: bold;">13. The Avner Moriah Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3_40XfKOJx_7eQhqVHGJod9E2GseUQwTPfMnMORh9-1FK-zF2yq3O66YubvW1YBFFIw0ZTQRSO0poDFtdJEBHv_Xc4DXaBEyNMn9UkdJapdC8ozTxAaxK2aMXzxsbPulQEt1BpZqomGk/s1600-h/moriah.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322393836532304658" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3_40XfKOJx_7eQhqVHGJod9E2GseUQwTPfMnMORh9-1FK-zF2yq3O66YubvW1YBFFIw0ZTQRSO0poDFtdJEBHv_Xc4DXaBEyNMn9UkdJapdC8ozTxAaxK2aMXzxsbPulQEt1BpZqomGk/s400/moriah.jpg" style="cursor: pointer; width: 535px; height: 537px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3xT_YNpn8Ct-b4xOu5ixJDl4IiVWz_Bn6C1Ppi5449l9_T4picQCg7A1Lsy9an-k6PHdV162M2o5DDM0UYXBuuJyVqzf7Iytshc42sjRIjh5uBw-LogAkFs5hiYDHjGyJXztgGVd-RMc/s1600-h/02-000.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322393956780445650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3xT_YNpn8Ct-b4xOu5ixJDl4IiVWz_Bn6C1Ppi5449l9_T4picQCg7A1Lsy9an-k6PHdV162M2o5DDM0UYXBuuJyVqzf7Iytshc42sjRIjh5uBw-LogAkFs5hiYDHjGyJXztgGVd-RMc/s400/02-000.jpg" style="cursor: pointer; width: 534px; height: 515px;" /></a><br /><br />From Moriah's Introduction to his Haggadah:<br />"As models for the figures, I turned to the Egyptian and Assyrian wall paintings and reliefs and the small human and animal figurines of the early Bronze and Iron Ages - the time when the Israelites settled in the Land of Israel. For colors, I looked to the blues, oranges and golds of the eternal Middle East landscape."<br /><br />"There are several recurring images throughout the Haggadah: the image of freedom, the image of family around the seder table, and the Hand of God carrying the Israelites out of slavery in Egypt. The roundel motif is used frequently in the Haggadah to represent the circular repetition of Jewish history and life."<br /><br />Illuminator, Avner Moriah; calligrapher, Izzy Pludwinski; commentary, Shlomo Fox and Avner Moriah.Limited ed. of 360 copies, bound in leather, issued in cloth case. Jerusalem: Fine Art Prints, 2003. Images copyright © Avner Moriah.<br /><br /><span style="font-weight: bold;">14. The David Moss Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgofMwCzrmw555QROcgFHftZtb2hwD9x1TpLmKig6SDwY0hInDj80h5CbrfDTDKOjOV4MpPze-MKe4gVAXFiCYp2mmVsh6BylaEkfciCnD1tVZ3NIJwCPoD_t0uwDdIRQH5La3WJPk_Se8/s1600-h/01-020.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322394785297187378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgofMwCzrmw555QROcgFHftZtb2hwD9x1TpLmKig6SDwY0hInDj80h5CbrfDTDKOjOV4MpPze-MKe4gVAXFiCYp2mmVsh6BylaEkfciCnD1tVZ3NIJwCPoD_t0uwDdIRQH5La3WJPk_Se8/s400/01-020.jpg" style="cursor: pointer; width: 528px; height: 712px;" /></a><br />Hagadat shir ha-ma'alot le-David. Rochester, New York: Bet Alpha Editions, 1987<br /><br />The Moss Haggadah represents one of the great achievements of Haggadah illustration in modern times. In his art and calligraphy, Moss takes inspiration from the artistic traditions of the past while creating new traditions of his own. In his introduction, Moss says "My innovations are apparent in my graphic treatment which is often radically different in both style and content from traditional Haggadah illustrations. Generally speaking, I have not pictured the literal meaning of the texts, but have tried instead to discover new connections and insights into the complex meanings of the Haggadah. In this I based myself on the midrashic process--so apparent in the Haggadah itself--by which the rabbis juxtaposed disparate, sacred texts to produce fresh insights into the tradition."<br /><br />Images copyright © 2009 by David Moss, courtesy of Bet Alpha Editions, Berkeley.<br /><br /><span style="font-weight: bold;">15. The Ben Shahn Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxA2Rw6OzlW3meFOHUgUD7-indq_Wp55KBzZlMPpycFfVRD64n8BOpp946ZLI89-tTV5N244Y4KwA72qja-ZlsKoiMBcUvWJ72eG9s0I20L3qpCOanKRfwamROt0UlTX6OUgowS8DUgNo/s1600-h/01-012.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322397298958218370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxA2Rw6OzlW3meFOHUgUD7-indq_Wp55KBzZlMPpycFfVRD64n8BOpp946ZLI89-tTV5N244Y4KwA72qja-ZlsKoiMBcUvWJ72eG9s0I20L3qpCOanKRfwamROt0UlTX6OUgowS8DUgNo/s400/01-012.jpg" style="cursor: pointer; width: 557px; height: 396px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsd9lXnjGTiZCUMFcS2vIhD1f2RFvxhLLE7_Dg8jViQIw_2rAOuo45vb7h588hN7w_eyvnfygyHceQTVQU2QpGaJn8K4HHur_kimAbf7gZScXOVGm9z3X2EBwdLVoIJl20CtCwnzmtgs/s1600-h/01-009.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322397198695271170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsd9lXnjGTiZCUMFcS2vIhD1f2RFvxhLLE7_Dg8jViQIw_2rAOuo45vb7h588hN7w_eyvnfygyHceQTVQU2QpGaJn8K4HHur_kimAbf7gZScXOVGm9z3X2EBwdLVoIJl20CtCwnzmtgs/s400/01-009.jpg" style="cursor: pointer; width: 533px; height: 399px;" /></a><br /><br />Ben Shahn executed many of his Haggadah illustrations, circa 1930. Three decades later his watercolor drawings were incorporated into a printed Haggadah. It contains a frontispiece, illuminated title-page, 12 illuminated manuscript pages of the text and 10 drawings for the Had Gadya (An Only Kid). He says of the text that "it reflects my memories of the Passover in my father's house. It reflects my early impressions and feelings; the images that were always invoked in my fancy by the majestic and meaningful ritual."<br /><br />Haggadah for Passover copied and illustrated by Ben Shahn with a translation , introduction and historical notes by Cecil Roth. Boston: Little Brown and Co., Paris: Trianon Press, 1965.<br /><br /><span style="font-weight: bold;">16. The Eliyahu Sidi Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheDpHoKOJbQWW5Uq6Vf5NAO3kLe3S59WOBqb4z1J4bvgbG5NGEKaoKnuurAcyXHrZys-0jUnyHkExF0Qi1U97Pdp0KfzLrSZjqASwe6zuMn9LufCYYJfSuxpj08muuBLXJZuxV5VgDGMM/s1600-h/Haggadahs+113.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322395984401529746" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheDpHoKOJbQWW5Uq6Vf5NAO3kLe3S59WOBqb4z1J4bvgbG5NGEKaoKnuurAcyXHrZys-0jUnyHkExF0Qi1U97Pdp0KfzLrSZjqASwe6zuMn9LufCYYJfSuxpj08muuBLXJZuxV5VgDGMM/s400/Haggadahs+113.jpg" style="cursor: pointer; width: 535px; height: 383px;" /></a><br /><br />Illustrations by Eliyahu Sidi. Jerusalem, 2007. Produced in a signed and limited edition of 100 copies in the workshop of The Jerusalem Fine Arts Prints under the supervision of David Moss and Yair Medinah. Images copyright © Eliyahu Sidi.<br /><br /><span style="font-weight: bold;">17. The Arthur Szyk Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0oVJLA_8EKbk0LAHjcVp9tjrXj90UQmrrOzkpA-MC7va-kSauXHPreSSy8-YK4BrpppCvAZsYh-WnDJRQBCanO6S3j5r_p42t9_touNPM3UAynEF2pHwdAoYQACXfmwm-lrJQDp4xdQs/s1600-h/01-003.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322398168875713234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0oVJLA_8EKbk0LAHjcVp9tjrXj90UQmrrOzkpA-MC7va-kSauXHPreSSy8-YK4BrpppCvAZsYh-WnDJRQBCanO6S3j5r_p42t9_touNPM3UAynEF2pHwdAoYQACXfmwm-lrJQDp4xdQs/s400/01-003.jpg" style="cursor: pointer; width: 528px; height: 336px;" /></a><br /><br />The Haggadah executed by Arthur Szyk; edited by Cecil Roth. London: Beaconsfield Press, 1939. Printed on vellum. This is number 89 of a limited edition of 125 numbered copies. All are signed by the artist and the editor. Images copyright © Historiana, Burlingame, CA.<br /><br />Special thanks to Nanette Stahl, Curator of the Yale University Library Judaica Collection for the above images and text. All contents copyright © 2009, Yale University Library. All rights reserved.<br /><br />If you desire, you can browse through the complete <a href="http://www.library.yale.edu/judaica/exhibits/haggadah/index.html">Yale University's online Haggadah Exhibit</a> where you can see various versions from ancient manuscripts with biblical art to modern art Haggadahs.  You can even listen to their audio podcasts about <a href="http://streaming.yale.edu/opa/podcasts/audio/schools/humanities/stahl_050608.mp3">the Passover Haggadah here.</a><br /><span style="font-weight: bold;"><br />Other modern Haggadot worth mentioning</span><br /><br /><span style="font-weight: bold;">18. Archie Granot's Papercut Haggadah</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGKUfsXAhT94wB1HkLjN6SgTF62SHurhiUbm3lq2va7NTWsEokJiIUoo4NWAephsWCKa2sIN2_JpY4rmzavOYA3_FvQFXMpiBR5eskmPVaipUduh03SRWMiXufNTqkt0hrvwu3K-SEeF8/s1600-h/shapeimage_2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322399370605609842" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGKUfsXAhT94wB1HkLjN6SgTF62SHurhiUbm3lq2va7NTWsEokJiIUoo4NWAephsWCKa2sIN2_JpY4rmzavOYA3_FvQFXMpiBR5eskmPVaipUduh03SRWMiXufNTqkt0hrvwu3K-SEeF8/s400/shapeimage_2.jpg" style="cursor: pointer; width: 542px; height: 252px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEged9OzvOwJOi_I0YcfPexi1uKvhc9ryFwv4kG7AAx3VRUpymPtRztxthDNZbHe9V5lnI-0BOZDbM5RIbrTgiRGe5OwEIdyeZUy9UnfYXjvnBaS21DvLyDYvf5mir2SiO6-RC3vcQSRqU8/s1600-h/HaggadahP15_LRG.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322399315878871570" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEged9OzvOwJOi_I0YcfPexi1uKvhc9ryFwv4kG7AAx3VRUpymPtRztxthDNZbHe9V5lnI-0BOZDbM5RIbrTgiRGe5OwEIdyeZUy9UnfYXjvnBaS21DvLyDYvf5mir2SiO6-RC3vcQSRqU8/s400/HaggadahP15_LRG.jpg" style="cursor: pointer; width: 533px; height: 401px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2qnRMIT1ow9aoQNMDFYPD-a-_yvEzccGDBu443aTN74aH-_9G_yznALkW1Zps71R4Gd6vGLVVzDjBGI0_xXmsU29wa70iB6tGUe9w4w3ZS32YJoyFUc8ypKA_7cQY9Jc4GdKa8cS4xJk/s1600-h/HaggadahP22_LRG.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322399225669357874" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2qnRMIT1ow9aoQNMDFYPD-a-_yvEzccGDBu443aTN74aH-_9G_yznALkW1Zps71R4Gd6vGLVVzDjBGI0_xXmsU29wa70iB6tGUe9w4w3ZS32YJoyFUc8ypKA_7cQY9Jc4GdKa8cS4xJk/s400/HaggadahP22_LRG.jpg" style="cursor: pointer; width: 528px; height: 389px;" /></a><br /><br />This beautiful Haggadah, containing the Passover story of the miraculous escape of the Jews from Egypt is presented in the form of a breathtaking piece of Judaica art, created by the gifted artist Archie Granot. To make this masterpiece, he has employed the age old Jewish art tradition of papercutting - a process in which every letter and design incorporated into the Haggadah is meticulously hand cut from paper. It took ten years to craft this magnificent fifty five page Haggadah.<br /><br />Each extravagant page of the Haggadah features Archie Granot's signature style, which incorporates modern geometric design and brilliant color combinations while still maintaining the refined beauty of ancient Hebrew calligraphy. In order to create this effect, the multi-layered Haggadah pages are often up to an inch thick and can weigh as much as five pounds.<br /><a href="http://archiegranot.com/">See more of Archie's beautiful Jewish papercuts here.</a><br /><br /><span style="font-weight: bold;">19. French artist Gérard Garouste's stunning Haggadah published by Assouline in 2001:</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMeBj42tKO0ATvecueDnlE4q_BCLilfcWWsSFOnBhN9BlitEhZZP3AVnbaK4nyW_tKDj0BtzfU4cUure2MWp_D0N_Oy-3T2cByaK-hLo_4fCndylCbkLRhBcSypqTdTU21rJoCeGbrB-c/s1600-h/garoustecover.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322401704064285362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMeBj42tKO0ATvecueDnlE4q_BCLilfcWWsSFOnBhN9BlitEhZZP3AVnbaK4nyW_tKDj0BtzfU4cUure2MWp_D0N_Oy-3T2cByaK-hLo_4fCndylCbkLRhBcSypqTdTU21rJoCeGbrB-c/s400/garoustecover.jpg" style="cursor: pointer; width: 532px; height: 420px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-J9mo1bTkUfGSC0HafR3BFKihUGLnLRjJpllkHSmVOZ846HkexdmiFdqxLIZRwLJ7478uKcrEyl1fewbByel12Zboe0C8_XVCVeGkP6s3uuBBE3V6ZIocgVwR993R7yjnlgyr0YFw4sk/s1600-h/garous5.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322401613640308178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-J9mo1bTkUfGSC0HafR3BFKihUGLnLRjJpllkHSmVOZ846HkexdmiFdqxLIZRwLJ7478uKcrEyl1fewbByel12Zboe0C8_XVCVeGkP6s3uuBBE3V6ZIocgVwR993R7yjnlgyr0YFw4sk/s400/garous5.JPG" style="cursor: pointer; width: 537px; height: 389px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrptUx7sACIVWwB78_N5iUKdlkW984h_ZjRZQpMYw2hCvatVBcVB5pu9NDt9jx7sCm_-1Stm7GXgl0PquhIpa2MW6islAeIfJPpHh4SGSgYXkGq2iQFpGT2xvQt2TLUTEtndLqu7P2uhA/s1600-h/garouste1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5322400379887273698" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrptUx7sACIVWwB78_N5iUKdlkW984h_ZjRZQpMYw2hCvatVBcVB5pu9NDt9jx7sCm_-1Stm7GXgl0PquhIpa2MW6islAeIfJPpHh4SGSgYXkGq2iQFpGT2xvQt2TLUTEtndLqu7P2uhA/s400/garouste1.jpg" style="cursor: pointer; width: 532px; height: 397px;" /></a><br /><br /><iframe src="http://rcm.amazon.com/e/cm?t=iishish-20&o=1&p=8&l=as1&asins=2843232538&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr" style="width: 120px; height: 240px;" marginwidth="0" marginheight="0" frameborder="0" scrolling="no"></iframe><br /><br />Places you can purchase a paperback version of Garouste's Haggadah by clicking on the above amazon link. Or shop<a href="http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fs%3Fie%3DUTF8%26keywords%3Dhaggadah%26tag%3Dgooghydr-20%26index%3Dstripbooks%26hvadid%3D3410614677%26ref%3Dpd%255Fsl%255F1b6jd8lkwr%255Fb&tag=iishish-20&linkCode=ur2&camp=1789&creative=390957"> for all types of Haggadot at Amazon</a><img alt="" border="0" height="1" src="https://www.assoc-amazon.com/e/ir?t=iishish-20&l=ur2&o=1" style="border: medium none ! important; margin: 0px ! important;" width="1" /><br /><br /><br /><span style="font-weight: bold;">#20. the Digital Haggadah</span><br /><a href="http://www.judaism.com/digital_haggadah/" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5452763649897739346" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNaywx8nkqLjf20xSVOVcdKqa0P8gtwXctm1pjk5jULvlAYQd3pBJFv4rlVWFZRuOHOuuFwRycZe_WLoUACbPXi9bMKYkQRt7uRLeulsFNzkuHmI2OPFaAgXTp0YC7E7sEHe4FboDxlHA/s400/digitalhaggadah.gif" style="cursor: pointer; width: 518px; height: 90px;" /></a><br /><br />And for the online generation, there's the <a href="http://www.judaism.com/digital_haggadah/">Digital Haggadah</a> where you can hear it read aloud online or download the whole file.<br /><br />Oh, and Happy Pesach!

A Modern Haggadah Will Hip Up Your Passover Seder. Here's 20 Of Them.

A Modern Haggadah Will Hip Up Your Passover Seder. Here's 20 Of Them.

Note: this is an updated version of last year's post. The first night of Passover is Monday, the 29th of March and will continue for 7 ...

12:00 AM

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