5 Different Films, Same Dialogue. And Philips TV Invites You To Make The Sixth.

<script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=0d650ffe-1ec7-4395-883b-24e806d21a65&type=website"></script><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfLCXa0pFvJ9bSyqd4xUE43klbhTLH3wGRWWc-Qk3iOru7kzTEf1K0evrkBLPeDiAVGAk5X1CU-b6KNSMtQwpvdbAOF8wuCfN1IwdWdesQwB5aIWhYNXFEao6jLiAcshMaU_JJ4EDirNU/s1600/theposter&title.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457847582506666706" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfLCXa0pFvJ9bSyqd4xUE43klbhTLH3wGRWWc-Qk3iOru7kzTEf1K0evrkBLPeDiAVGAk5X1CU-b6KNSMtQwpvdbAOF8wuCfN1IwdWdesQwB5aIWhYNXFEao6jLiAcshMaU_JJ4EDirNU/s400/theposter&title.png" style="cursor: pointer; width: 529px; height: 506px;" /></a><br /><br />The last time Philips Electronics used <a href="http://ifitshipitshere.blogspot.com/2009/06/cannes-grand-prix-winning-film-for.html">a short film directed by Adam Berg to promote their Cinematic TV</a>, they took home the Grand Prix at Cannes.<br /><br />This time, their newest marketing push consists of a project in which five different directors created five different films, each in their own genre, that use the same piece of dialogue- a scant six lines.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIv3v5RvjDLGDa13Lz01oHHXpCByoSMbJmWTdOJYUzTXemcLsdsbzeHqyM79K4ENWLWUZ0EiKsKJRnDtDm-fGz8vMkDRimVHDo8_8Uu49bx1PdOsxgCN4Iw3i-Dxe9OzvdfMgBUWvBIH8/s1600/Picture+12.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457859840392527666" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIv3v5RvjDLGDa13Lz01oHHXpCByoSMbJmWTdOJYUzTXemcLsdsbzeHqyM79K4ENWLWUZ0EiKsKJRnDtDm-fGz8vMkDRimVHDo8_8Uu49bx1PdOsxgCN4Iw3i-Dxe9OzvdfMgBUWvBIH8/s400/Picture+12.png" style="cursor: pointer; width: 528px; height: 253px;" /></a><br /><object height="320" width="530"><param name="movie" value="http://www.youtube.com/v/-5eclbsmFUM&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/-5eclbsmFUM&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="320" width="530"></embed></object><br /><br />And, in an effort to get aspiring directors involved, an ensuing competition invites you to make the sixth.<br /><br /><object height="320" width="530"><param name="movie" value="http://www.youtube.com/v/CMLrDEEsbdk&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/CMLrDEEsbdk&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="320" width="530"></embed></object><br /><br />Philips has just launched this global competition, giving aspiring filmmakers the chance to have an original work judged by one of the world’s greatest film directors – Sir Ridley Scott, director of Hollywood blockbusters including Alien (1979), Blade Runner (1982) and Gladiator (2000).<br /><br />The competition, called<span style="font-weight: bold;"> "Tell It Your Way‟</span>, will also give one lucky winner the chance to gain a week’s work experience at Ridley Scott Associates (RSA) offices in Los Angeles, New York, London or Hong Kong.<br /><br />The contest involves creating an original sixth short film to accompany Philips’ ground-breaking Parallel Lines series of short films, directed by RSA talents, Greg Fay, Johnny Hardstaff, Carl Erik Rinsch, Jake Scott and Hi-Sim.<br /><br /><span style="font-size:130%;"> <span style="font-weight: bold;">The Five Films</span></span><br /><br /><span style="font-weight: bold;">Darkroom – Johnny Hardstaff </span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmmZ6meli9iM3vQDisB6izWMydYiAdKm2aTBhwYfSsALjHzqjCC5hAR1WxpTNzrWDZNBGs6MeDmIla4L8SNkSLd34CAAWF_cay590zgydzjtxP992LLIpmR055XlSaq8S_t6bRxU3AQM4/s1600/darkroom.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457849561633580194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmmZ6meli9iM3vQDisB6izWMydYiAdKm2aTBhwYfSsALjHzqjCC5hAR1WxpTNzrWDZNBGs6MeDmIla4L8SNkSLd34CAAWF_cay590zgydzjtxP992LLIpmR055XlSaq8S_t6bRxU3AQM4/s400/darkroom.png" style="cursor: pointer; width: 529px; height: 297px;" /></a><br /><object height="320" width="530"><param name="movie" value="http://www.youtube.com/v/Ue55SLIA3tc&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/Ue55SLIA3tc&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="320" width="530"></embed></object><br />Set in a retro future Shanghai, Darkroom opens on a covert surveillance operative as he searches for his criminal quarry. Scanning a polluted city skyline, we see through his technology as he zooms ever deeper into a distant apartment and through the imaginative use of reflections and technology begins to unravel a sinister secret.<br /><br />Through this voyeuristic journey we are led to a climax with dramatic consequences. Johnny Hardstaff expertly generates intrigue through his development of mood and tension. Namely with the use of the operative’s own hushed voice to provoke a sense of seediness and setting of the tone. As the audience is led deeper we find a fiendish pleasure in this voyeuristic approach. Darkroom proves a clever and absorbing short that packs a very original sting in its tail.<br /><br /><br /><span style="font-weight: bold;">The Hunt - Jake Scott </span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGVnPUla5a5KQwNgMeH1l0NUIuuDcaCKWz-nrhZkRHbH1gje8tvA37RkGoJFLdZkOT3LuENJlHd-1HHS3fpwyOlIIdMUR8eHq29BkcR7bNe-ywrV9-zkgoz1JOLOm3kHJHOqNFlZ8Azc/s1600/Thehunt.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457847930743560850" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGVnPUla5a5KQwNgMeH1l0NUIuuDcaCKWz-nrhZkRHbH1gje8tvA37RkGoJFLdZkOT3LuENJlHd-1HHS3fpwyOlIIdMUR8eHq29BkcR7bNe-ywrV9-zkgoz1JOLOm3kHJHOqNFlZ8Azc/s400/Thehunt.png" style="cursor: pointer; width: 525px; height: 295px;" /></a><br /><object height="320" width="530"><param name="movie" value="http://www.youtube.com/v/JGsAjf5lsgo&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/JGsAjf5lsgo&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="320" width="530"></embed></object><br />The Hunt follows two men on a trail to find the ultimate prey. In the eerie woodland something lurks; a mystical creature. Soon we will find that the hunters may well become the hunted.<br /><br />Jake Scott takes us on a slow pursuit, carefully building the tension through a seemingly desolate and hostile environment. Senses are heightened as Jake brings to life every inch of the hunt, every sound carefully designed to put the audience on edge: the crows in the background, the trickle of a stream, the earth moving under each step. As The Hunt nears its horrifying climax we hold our breath as the huntsman sets his sights. However his companion shows a fear and nervousness in his expression. Something is not right. Perhaps the intended prey is not to be provoked.<br /><br /><br /><span style="font-weight: bold;">The Gift – Carl Eric Rinsch </span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9fQaFyk25TDtwd_av_Eq7gqWlGiEoVsMM81T3wZlaKv89A_JQmWrFEB5VHOB7lQQ3E-8A_5YbfZ47ZNKx9fBm68gJMcJRhFZy-II9XpBFXj2lJhsGGEBB263d_HR8zsdw6voFEn6SsNs/s1600/THEGIFT.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457848219535457298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9fQaFyk25TDtwd_av_Eq7gqWlGiEoVsMM81T3wZlaKv89A_JQmWrFEB5VHOB7lQQ3E-8A_5YbfZ47ZNKx9fBm68gJMcJRhFZy-II9XpBFXj2lJhsGGEBB263d_HR8zsdw6voFEn6SsNs/s400/THEGIFT.png" style="cursor: pointer; width: 526px; height: 295px;" /></a><br /><object height="320" width="530"><param name="movie" value="http://www.youtube.com/v/XOZkLIwbRrw&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/XOZkLIwbRrw&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="320" width="530"></embed></object><br />In this sci-fi thriller, Podarok introduces us to a dystopian future. It’s a winter’s day in Moscow, but the familiar landscape is not all it seems. The traditional backdrop is balanced by the technological hints to the future on show. An experienced KGB Agent is on his way to deliver a special gift. Expressionless and giving the aura of emptiness the lone man makes his way across the city. As the secret of the gift is unveiled to the receiver, the desire for the object becomes evident. The agent must have it. Even at the cost of a man’s life. A high octane chase through Moscow ensues as the dead man’s robotic butler tries to rescue the precious gift. It must not be left in the wrong hands.<br /><br />Carl Erik Rinsch cleverly uses the pacing of this short to evoke and speak out to our emotions. We feel the bleakness of this post apocalyptic future, the gloomy life of an empty man, the desperation of the chased and climatically, hope.<br /><br /><span style="font-weight: bold;">El Secreto de Mateo – Greg Fay </span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH-t4TvPmiZTLdsp229jLfJqyfvXdqlqX-ECBpWTEqCWbKVqoYMT71LDAHg00wpjyG9KEKvRCId3MFfNpRGuDbf5rdQ6TFJFT-EAqdWnJVgKKYKRZUJmYSlmAmbXYYpadxkOJm_7237MI/s1600/el-secreto-de-matteo.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457849193121723218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH-t4TvPmiZTLdsp229jLfJqyfvXdqlqX-ECBpWTEqCWbKVqoYMT71LDAHg00wpjyG9KEKvRCId3MFfNpRGuDbf5rdQ6TFJFT-EAqdWnJVgKKYKRZUJmYSlmAmbXYYpadxkOJm_7237MI/s400/el-secreto-de-matteo.png" style="cursor: pointer; width: 534px; height: 300px;" /></a><br /><object height="320" width="530"><param name="movie" value="http://www.youtube.com/v/hFH3JqL0X3o&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/hFH3JqL0X3o&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="320" width="530"></embed></object><br />In this heart-warming tale set on an estate of tower blocks in South America, a boy shows a young girl to a room with a secret. The girl is introduced to a donkey which the boy tells her is a unicorn. Delight and fulfilment fills the young girl as she is left to feel the magic of this moment in a life that has offered her so little. This joy is short lived as we are shown the difficulties of growing up as bullies taunt the pair. The boy stands up for his younger friend. Afterwards though, it all seems too much as the brave boy is left to cry quietly in the corner. Unawares to her friend’s pain the girl returns her attention to the beauty of the animal.<br /><br />Greg Fay delicately shows us the hardship of growing up and the joy that can be brought on by a child’s imagination. Lighting is used to great effect. The hue and glow of a beaming sun fills scenes with a warmth, comfort and tender security away from the harsh realities of the world. El Secreto de Mateo leaves us emotionally speechless with the feeling of both happiness and sorrow.<br /><br /><span style="font-weight: bold;">Jun & the Hidden Skies – Hi-Sim </span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2W-zJGYskujs9LxlE0lGCEed0oTqJlYbUJ91UcB3RewgKcP_1jAWCrvADzyblYBrMIihJqB7qeJRC4gK_fDMDUhCC2X7LT4R3KeP0RAJym25RuN7QD3lVD6_Lk5Cg-Sn8ofmJy-unA_g/s1600/jun&the-hidden-skies.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457849046040358066" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2W-zJGYskujs9LxlE0lGCEed0oTqJlYbUJ91UcB3RewgKcP_1jAWCrvADzyblYBrMIihJqB7qeJRC4gK_fDMDUhCC2X7LT4R3KeP0RAJym25RuN7QD3lVD6_Lk5Cg-Sn8ofmJy-unA_g/s400/jun&the-hidden-skies.png" style="cursor: pointer; width: 535px; height: 300px;" /></a><br /><object height="320" width="530"><param name="movie" value="http://www.youtube.com/v/5SYctoTbOAA&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/5SYctoTbOAA&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="320" width="530"></embed></object><br />Through animation Hi-Sim transports us into the playful imagination of siblings Jun and Aco. We are instantly rushed from the children’s attic into space as a cardboard box transforms into a spaceship. This fantasy adventure excites as our heroes find themselves in the midst of a space battle resulting in the capture of Aco. Jun is left to fall from the skies before being saved by a fire breathing dragon. Jun and his new friend blow away the enemy as the plight to save the captive Aco gathers pace.<br /><br />Hi-Sim manages to bring out a childlike excitement and curiosity from the moment we enter the attic. This beautifully crafted animation bursts with fantastic colours of an imagined world. Visual details have been carefully considered and realism breaks through from the quality of the effects. This is a polished short that is sure to please the whole family.<br /><br /><a href="http://www.youtube.com/philipscinema">Visit their youtube channel to learn more about the competition here.</a><br /><br />You can view the amazing Grand Prix winning film <a href="http://ifitshipitshere.blogspot.com/2009/06/cannes-grand-prix-winning-film-for.html">Carousel - and the making of it- for Philips TV, here.</a>

5 Different Films, Same Dialogue. And Philips TV Invites You To Make The Sixth.

The last time Philips Electronics used a short film directed by Adam Berg to promote their Cinematic TV , they took home the Grand Prix at C...

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Motion 504 Creates A Truly Beautiful Sponsor Reel for AICP show

<script type="text/javascript" src="http://w.sharethis.com/button/sharethis.js#publisher=0d650ffe-1ec7-4395-883b-24e806d21a65&type=website"></script><br />Minneapolis broadcast design & animation studio <a href="http://www.motion504.com/">motion504</a> recently completed the reception sponsor reel for the Minneapolis screening of the AICP Show: The Art & Technique of the American Commercial.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0jrVwZXi-uFNVHDpQ9k5N5BJKxkVo7t2lf1n0M8YjFoVlFEOkV6r9YN8xWvLwE9TXvW9mdA_vJ7nLvG4tEv8RVG4IqQt9_P5A2EHkHAQsTUsxlKIItZF8BDThciarCugZ8CAvo_tHLxK9/s1600-h/Picture+26.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411603893005248066" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0jrVwZXi-uFNVHDpQ9k5N5BJKxkVo7t2lf1n0M8YjFoVlFEOkV6r9YN8xWvLwE9TXvW9mdA_vJ7nLvG4tEv8RVG4IqQt9_P5A2EHkHAQsTUsxlKIItZF8BDThciarCugZ8CAvo_tHLxK9/s400/Picture+26.png" style="cursor: pointer; width: 531px; height: 298px;" /></a><br /><br />It's one of those incredible pieces of communication where everything falls into place. The concept, the direction, the set design, the lighting, the sound design, music, post-production. Even still frames, as you'll see in my screen grabs, are like little perfectly composed pieces of art. In short, many people in my industry, myself included, will look at and wish they had done it.<br /><br />The inventive title sequence created by motion504 introduces each reception sponsor through a cinematic narrative that imagines the craft of “moving type” via mechanical gadgets that look as if they were built a century ago.<br /><br /><object height="298" width="530"><param name="allowfullscreen" value="true"><param name="allowscriptaccess" value="always"><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=6856621&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ff9933&fullscreen=1"><embed src="http://vimeo.com/moogaloop.swf?clip_id=6856621&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ff9933&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="298" width="530"></embed></object><br /><br />Led by Creative Directors Scott Wenner and Amy Schmitt, motion504 helmed the entire project, start to finish: concepting and storyboarding; direction of the live-action shoot; 2D & 3D animation; lighting and compositing.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEght4sTqyGcb-LI04e8vodfC6Zuc7yCMlsLGAhtmph3BTDJS0t1P9Qw39maygZ7Cg2eazSsUYwtFpvLR-qI31KPpNsPGgsT9uBoTUBHdjk0UwJVvzCFYR-DATe99a9Rwe2vOeHHwZPP5ReX/s1600-h/Picture+13.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411599395809513186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEght4sTqyGcb-LI04e8vodfC6Zuc7yCMlsLGAhtmph3BTDJS0t1P9Qw39maygZ7Cg2eazSsUYwtFpvLR-qI31KPpNsPGgsT9uBoTUBHdjk0UwJVvzCFYR-DATe99a9Rwe2vOeHHwZPP5ReX/s400/Picture+13.png" style="cursor: pointer; width: 531px; height: 297px;" /></a><br /><br />Set in a world with a turn-of-the-last-century aesthetic, the visually striking sequence opens at the storefront of the fictional Verne Bros. Kinetic Type Company.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7b3j8zpPneIE8w95Fp9dBfByqIin7raEaVPrmHl0_r8b_89x3FuEWSHOH-q07QxG5W7ycTPWC3ltUbBkUUwbRjcUFrR2ZXCAZhVOyt-LPW-3s3AL7YsbBMe8HjsG9ECU9AKFnfBuqyBhH/s1600-h/Picture+9.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411599025662292882" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7b3j8zpPneIE8w95Fp9dBfByqIin7raEaVPrmHl0_r8b_89x3FuEWSHOH-q07QxG5W7ycTPWC3ltUbBkUUwbRjcUFrR2ZXCAZhVOyt-LPW-3s3AL7YsbBMe8HjsG9ECU9AKFnfBuqyBhH/s400/Picture+9.png" style="cursor: pointer; width: 532px; height: 280px;" /></a><br /><br />Inside, the elderly protagonist earnestly works away during the wee small hours at his closed shop. His undertakings are a mystery until, suddenly, peculiar kinetic gadgets appear and unexplainably come to life. His compelling conjurations abound in the dusty workshop, as each unique gadget unravels with science-defying wonder, creatively introducing the AICP reception sponsors, one by one.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZITcRZts2qjW-YFk0c81HmoGZUYfsYE0HtOI9IjpQ21s9c5j_cX4cj32NM9pYFdUW1oOkr7bTMZdg_cH2-6kCczOobfvtJgZe-hEaBeZaXLF1vgoBy2qYKXDPkkaDSew6ikdSAUsLxFyj/s1600-h/Picture+5.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411599519185769842" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZITcRZts2qjW-YFk0c81HmoGZUYfsYE0HtOI9IjpQ21s9c5j_cX4cj32NM9pYFdUW1oOkr7bTMZdg_cH2-6kCczOobfvtJgZe-hEaBeZaXLF1vgoBy2qYKXDPkkaDSew6ikdSAUsLxFyj/s400/Picture+5.png" style="cursor: pointer; width: 529px; height: 297px;" /></a><br /><br />After brainstorming numerous ideas, motion504 eventually arrived at one that would speak to its intended audience and showcase what motion504 actually offers to the industry as company: motion design, animation and visual effects.<br /><br />The end product strikes at the core of motion504’s creative forte, while illustrating how design and animation can communicate in the realm of broadcast and commercial advertising -- through image-driven narrative.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9FGq0NvyZFXttEtBdvzI2oLFoLE8rLL4_EOEWrmi8V0QZ1Uhgl9z8hAvoTj4SYOYbhEW5Fp9QbgzCqgmQ_Ew7gtz35yyTRRjvFAtnjJS270nz6u2Fqh-QrOaM18Lue54ciiQ86FhSH7vV/s1600-h/Picture+17.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411600705320521266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9FGq0NvyZFXttEtBdvzI2oLFoLE8rLL4_EOEWrmi8V0QZ1Uhgl9z8hAvoTj4SYOYbhEW5Fp9QbgzCqgmQ_Ew7gtz35yyTRRjvFAtnjJS270nz6u2Fqh-QrOaM18Lue54ciiQ86FhSH7vV/s400/Picture+17.png" style="cursor: pointer; width: 533px; height: 301px;" /></a><br /><br />Rather than building 3D models that transformed and unfolded, motion504 instead opted to create simple machines that look hand-made, yet function just beyond the realm of possibility, while retaining their outward purpose as kinetic type. The gadgets, along with production set and props, were designed with Victorian influences to evoke the work of an artisan.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1dOwSZelEgy4_INxFweqoWCsO-5pYj_tIz-A3DLlHF-C3DZSVzjFOxBW7CnUlVtWroLye29-Rce_qPP06beQ-2jVJtiKfX_jDvqYMSAnEfUZM2Oxfc6nUIVPhxlzMd6kY9-wa5SBUckwt/s1600-h/Picture+16.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411600621082253522" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1dOwSZelEgy4_INxFweqoWCsO-5pYj_tIz-A3DLlHF-C3DZSVzjFOxBW7CnUlVtWroLye29-Rce_qPP06beQ-2jVJtiKfX_jDvqYMSAnEfUZM2Oxfc6nUIVPhxlzMd6kY9-wa5SBUckwt/s400/Picture+16.png" style="cursor: pointer; width: 532px; height: 300px;" /></a><br /><br />The studio arranged for a one-day live action shoot using the RED Camera. “Having a snorkel lens was crucial to get the close-ups that we needed to create the right feeling,” said motion504 Executive Producer Eric Mueller. “Our studio worked closely with the production team to ensure the gadgets would look like they belonged in the space. The end result is a visual tour-de-force. ”<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvQwrzmtO3eS9ZwvmIW-G0LWlQLzFeKL97VI5HopacqR1k7jnWuxCYtpA2ew9iYc78euPeIeo73BIcMv4PV5wbo5x9VHPTpMbRHvkuDSvcSZIYer0ffd28M-26BeYYtoVQNENJMIfAo4HA/s1600-h/Picture+6.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411599626185223906" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvQwrzmtO3eS9ZwvmIW-G0LWlQLzFeKL97VI5HopacqR1k7jnWuxCYtpA2ew9iYc78euPeIeo73BIcMv4PV5wbo5x9VHPTpMbRHvkuDSvcSZIYer0ffd28M-26BeYYtoVQNENJMIfAo4HA/s400/Picture+6.png" style="cursor: pointer; width: 529px; height: 296px;" /></a><br /><br /><a href="http://www.bwnoise.com/">BWN</a> principal Carl White, who had the unique challenge of making the devices feel real, but still evoking a feeling of magic, handled sound design. “BWN did a fantastic job of figuring out how these gadgets would really sound if they existed,” said Mueller. “They are true sound artists.”<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8rA61d8kIQ3kN8HEL-WnLceFuTh6GOh-GhQ55u_JUeGGqfBJ13WY4-UkjlxU7Mpe_Q94LwPpecbeYTSX-TIvKLTnMH64cLjIFq3IAc5gUmGGfAtxTRdh75QZntPqaSWuu1RFTNT1AxdrK/s1600-h/Picture+18.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411600787185982146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8rA61d8kIQ3kN8HEL-WnLceFuTh6GOh-GhQ55u_JUeGGqfBJ13WY4-UkjlxU7Mpe_Q94LwPpecbeYTSX-TIvKLTnMH64cLjIFq3IAc5gUmGGfAtxTRdh75QZntPqaSWuu1RFTNT1AxdrK/s400/Picture+18.png" style="cursor: pointer; width: 532px; height: 300px;" /></a><br /><br />Wenner modeled the 16 3D gadgets in Cinema 4D, motion504’s primary 3D package for graphics. Each unique gadget features Victorian-influenced detail, flourishes and decoration, which Wenner hand-painted in ZBrush. Amy Schmitt, who worked closely alongside Scott from the project’s outset, including the live action shoot, handled a majority of the intensive tracking lighting and rendering required by the project.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKJRLNExsNokGddNELFv3JfPVAJ7mavUxG0vwAqLZRd5pHlFN7GpWEyrxDXHgE8ITUhfCShk3ire-jL5f9bCZUvhoJwTD0azuaJpggGC5-WZiIdDdEbrGphdtWJTqsT665T1ZMVALlg6AS/s1600-h/Picture+20.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411600874728301426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKJRLNExsNokGddNELFv3JfPVAJ7mavUxG0vwAqLZRd5pHlFN7GpWEyrxDXHgE8ITUhfCShk3ire-jL5f9bCZUvhoJwTD0azuaJpggGC5-WZiIdDdEbrGphdtWJTqsT665T1ZMVALlg6AS/s400/Picture+20.png" style="cursor: pointer; width: 533px; height: 299px;" /></a><br /><br />According to Wenner, the biggest challenge motion504 faced had to do with the AICP’s only caveat: sponsor names may change at any time during production.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsJWCXcTuwCbhZ0ewrsKHkpUCspc_SIBdZ82o1MoZmyu_5azkEGZRERXQzY-P-S3HSBZRGzSxYDzIzOEkfc9gTRa9iFVJn-RriPBcJEEIVDC3UlFpzrBOuZxqVIWFwgnWmJ5m-qZEyOjGW/s1600-h/Picture+21.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411602958781694194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsJWCXcTuwCbhZ0ewrsKHkpUCspc_SIBdZ82o1MoZmyu_5azkEGZRERXQzY-P-S3HSBZRGzSxYDzIzOEkfc9gTRa9iFVJn-RriPBcJEEIVDC3UlFpzrBOuZxqVIWFwgnWmJ5m-qZEyOjGW/s400/Picture+21.png" style="cursor: pointer; width: 535px; height: 299px;" /></a><br /><br />This meant the 3D models must be built flexible, interchangeable or even newly created at moment’s notice, with a fast turnaround.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghqg2ILwHClSfRYfMPTTwWUQnB9ibYtEph0OJUet3jelSj5ff2BTfavsGwcQQq5H-o9xjsx1YtoAnLJhTxfpPMAeCt7Wfi0yO5gA08vtRFLqS6O1RdJ-xF8hFTCgucjIeVTjfZEesGCzDx/s1600-h/Picture+22.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411602703351324514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghqg2ILwHClSfRYfMPTTwWUQnB9ibYtEph0OJUet3jelSj5ff2BTfavsGwcQQq5H-o9xjsx1YtoAnLJhTxfpPMAeCt7Wfi0yO5gA08vtRFLqS6O1RdJ-xF8hFTCgucjIeVTjfZEesGCzDx/s400/Picture+22.png" style="cursor: pointer; width: 535px; height: 299px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuUOiGdYzLgAJOd_dKuGbI6FnPQetwl-BK7FQo05JoupPmmEo7QKmwXiZpeTaLLd6w5OV_0pbsTiPXO87rzAI_dBYte0AdicC5hByW4JsROkcwQHO4CYdpOIx82mJfTWfzQYdDBvRWP_Kj/s1600-h/Picture+23.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411602549381743362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuUOiGdYzLgAJOd_dKuGbI6FnPQetwl-BK7FQo05JoupPmmEo7QKmwXiZpeTaLLd6w5OV_0pbsTiPXO87rzAI_dBYte0AdicC5hByW4JsROkcwQHO4CYdpOIx82mJfTWfzQYdDBvRWP_Kj/s400/Picture+23.png" style="cursor: pointer; width: 536px; height: 302px;" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLg4poTyqYn3TAPS-A54nDnriwUC0nAb4edVin-Sve1gz63GV43ddZmIX4xDcEis_zt2qmXgVnTEsfVbw6n9zYLVZM8int6PKHbwYSPCCpmQ7aw_OQKb7h-eE9sEcF5c1qghZot9BDIElY/s1600-h/Picture+25.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411603805860226514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLg4poTyqYn3TAPS-A54nDnriwUC0nAb4edVin-Sve1gz63GV43ddZmIX4xDcEis_zt2qmXgVnTEsfVbw6n9zYLVZM8int6PKHbwYSPCCpmQ7aw_OQKb7h-eE9sEcF5c1qghZot9BDIElY/s400/Picture+25.png" style="cursor: pointer; width: 534px; height: 300px;" /></a><br /><br />“The project certainly required us to be nimble, but the creative liberties we were given far outweigh the technical parameters,” concludes Wenner. “Creating the AICP Show reception sponsor reel is something we were very excited to do. With everyone involved we answered the call and created a piece of which we are incredibly proud.”<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidtCrExNInOSX6BPEcQPAtnX4zKD8wGxoC-eRVJgQ2jxuKj0mY5bbHSOlK898UjLF5tTIvocENmZeIdRpWIk8pRiUDQgEgQboy_TD2VUvBwKPeOo4mwkZ9lPCM73HNFEiGpT6ZARMej0Q7/s1600-h/Picture+24.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411603719422960754" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidtCrExNInOSX6BPEcQPAtnX4zKD8wGxoC-eRVJgQ2jxuKj0mY5bbHSOlK898UjLF5tTIvocENmZeIdRpWIk8pRiUDQgEgQboy_TD2VUvBwKPeOo4mwkZ9lPCM73HNFEiGpT6ZARMej0Q7/s400/Picture+24.png" style="cursor: pointer; width: 542px; height: 304px;" /></a><br /><br /><span style="font-weight: bold;">Credits:</span><br />Concept, Design & VFX: motion504<br />Creative Director/3D Compositor: Scott Wenner<br />3D/Compositor: Amy Schmitt<br />Executive Producer: Eric Mueller<br />Director: Scott Wenner<br />DP: Bo Hakala<br />Art Director: Sarah Jean Kruchowski<br />Producer: Todd Cobery<br />Editor: Joe Martin<br />Sound Design: <a href="http://www.bwnoise.com/">BWN</a><br />Sound Designer: Carl White<br />Client: <a href="http://www.aicp-mn.com/">AICP Minnesota</a> (Kirk Hokanson, Executive Director)<br /><br /><span style="font-style: italic;">all information, images and video are courtesy of motion504</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUNsq_lHYFipjLekpCmldmKIUBjAHDEPHm4ddDpxSRE3HbZW6uv_coHefmT74MK_r_V6amExPmV3qgBNP1s7dc03byVuGXUqwHS3Bbl9F2_2XnhWR4qB3qLfmGt_vHLdyKCo3EibtBrEz/s1600-h/Picture+8.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5411595982193132722" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUNsq_lHYFipjLekpCmldmKIUBjAHDEPHm4ddDpxSRE3HbZW6uv_coHefmT74MK_r_V6amExPmV3qgBNP1s7dc03byVuGXUqwHS3Bbl9F2_2XnhWR4qB3qLfmGt_vHLdyKCo3EibtBrEz/s400/Picture+8.png" style="cursor: pointer; width: 538px; height: 142px;" /></a><br /><a href="http://www.motion504.com/">motion504</a><br><br>

Motion 504 Creates A Truly Beautiful Sponsor Reel for AICP show

Minneapolis broadcast design & animation studio motion504 recently completed the reception sponsor reel for the Minneapolis screening o...

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<h2>2007 SUNDANCE FILM FESTIVAL WINNERS!</h2><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP26dFH7cTkep-y4gEW2xxLxwdrHXiLvcsTAiJTR5QuWtaWf_gWTxKHcZ9kh_rGhgeVBr3QfOCXSH4qHLYGmAmM7W3qX6T2H_VVzcPWH8FZCStFi3aE2I8B2o3iKUkKYj5_fThD1ZEQqdD/s1600-h/Picture+1.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5025512635170966818" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP26dFH7cTkep-y4gEW2xxLxwdrHXiLvcsTAiJTR5QuWtaWf_gWTxKHcZ9kh_rGhgeVBr3QfOCXSH4qHLYGmAmM7W3qX6T2H_VVzcPWH8FZCStFi3aE2I8B2o3iKUkKYj5_fThD1ZEQqdD/s400/Picture+1.png" style="cursor: pointer;" /></a><br /><br /><span style="color: rgb(102, 102, 0);font-family:arial;" >So, after a long and competitive festival,<br /><a href="http://www.sundancechannel.com/festival/" style="color: rgb(255, 102, 0);"><span style="font-size:150%;">The Sundance Film Festival of 07</span></a><br /> breaks records with sales to the motion picture industry.<br /><br /></span><span style="color: rgb(102, 102, 0);font-family:arial;" >Why?<br /><br />Because there were so many excellent entries.<br /><br /></span><span style="color: rgb(102, 102, 0);font-family:arial;" >And, because I have this long complicated theory as to how the internet and streaming video sites like You Tube, Revver, Greenimation etc. have created a climate that's receptive to indie films as having commercial potential. But more on that some other time.<br /><br /></span><span style="color: rgb(102, 102, 0);font-family:arial;" >I was up late last night watching the Dailies on the Sundance Channel as they ended the 10 day event and had the good fortune to get glimpses of many, if not all of the following award winning entries.<br /><br /></span><span style="color: rgb(102, 102, 0);font-family:arial;" >It's really a banner year.<br /><br /></span><span style="font-family:arial;"><span style="color: rgb(102, 102, 0);">So, give it up for the following 2007 Sundance Award Winners:</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLEpfYq88SNZm83ZZPcPC0jrN5kzu5ZWtDUfxUx1F65qbDCOSBjpiAFyAIkB8SuFxy9mu4Yrg8t4_zspSCfKnUeXtZtQGkoGxfxTlldygj8usNdo3PUreIHt-TTVCv9O6VmewaVOKyuGm8/s1600-h/sundancestills.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5025516702504996162" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLEpfYq88SNZm83ZZPcPC0jrN5kzu5ZWtDUfxUx1F65qbDCOSBjpiAFyAIkB8SuFxy9mu4Yrg8t4_zspSCfKnUeXtZtQGkoGxfxTlldygj8usNdo3PUreIHt-TTVCv9O6VmewaVOKyuGm8/s400/sundancestills.jpg" style="cursor:pointer; cursor:hand;" /></a><br /></span><br /><br /><span style="font-family:arial;">Grand Jury Prize: Documentary</span><br /><span style="font-family:arial;">MANDA BALA (SEND A BULLET)</span><br /><span style="font-family:arial;">Jason Kohn, director</span><br /><br /><span style="font-family:arial;">Grand Jury Prize: Dramatic</span><br /><span style="font-family:arial;">PADRE NUESTRO</span><br /><span style="font-family:arial;">Christopher Zalla, writer/director</span><br /><br /><span style="font-family:arial;">Audience Award: Documentary</span><br /><span style="font-family:arial;">HEAR AND NOW</span><br /><span style="font-family:arial;">Irene Taylor Brodsky, writer/director</span><br /><br /><span style="font-family:arial;">Audience Award: Dramatic</span><br /><span style="font-family:arial;">GRACE IS GONE</span><br /><span style="font-family:arial;">James C. Strouse, writer/director</span><br /><br /><span style="font-family:arial;">Directing Award: Documentary</span><br /><span style="font-family:arial;">Sean Fine & Andrea Nix Fine</span><br /><span style="font-family:arial;">WAR/DANCE</span><br /><br /><span style="font-family:arial;">Directing Award: Dramatic</span><br /><span style="font-family:arial;">Jeffrey Blitz</span><br /><span style="font-family:arial;">ROCKET SCIENCE</span><br /><br /><span style="font-family:arial;">World Cinema Jury Prize: Documentary</span><br /><span style="font-family:arial;">ENEMIES OF HAPPINESS</span><br /><span style="font-family:arial;">Eva Mulvad & Anja Al Erhayem, directors</span><br /><br /><span style="font-family:arial;">World Cinema Jury Prize: Dramatic</span><br /><span style="font-family:arial;">SWEET MUD</span><br /><span style="font-family:arial;">Dror Shaul, writer/director</span><br /><br /><span style="font-family:arial;">World Cinema Audience Award: Documentary</span><br /><span style="font-family:arial;">IN THE SHADOW OF THE MOON</span><br /><span style="font-family:arial;">David Sington, director</span><br /><br /><span style="font-family:arial;">World Cinema Audience Award: Dramatic</span><br /><span style="font-family:arial;">ONCE</span><br /><span style="font-family:arial;">John Carney, writer/director</span><br /><br /><span style="font-family:arial;">Excellence In Cinematography Award:</span><br /><span style="font-family:arial;">Documentary</span><br /><span style="font-family:arial;">Heloisa Passos</span><br /><span style="font-family:arial;">MANDA BALA (SEND A BULLET)</span><br /><br /><span style="font-family:arial;">Excellence In Cinematography Award:</span><br /><span style="font-family:arial;">Dramatic</span><br /><span style="font-family:arial;">Benoit Debie</span><br /><span style="font-family:arial;">JOSHUA</span><br /><br /><span style="font-family:arial;">Documentary Editing Award</span><br /><span style="font-family:arial;">Hibah Sherif Frisina, Charlton McMillian</span><br /><span style="font-family:arial;">& Michael Schweitzer</span><br /><span style="font-family:arial;">NANKING</span><br /><br /><span style="font-family:arial;">Waldo Salt Screenwriting Award</span><br /><span style="font-family:arial;">James C. Strouse, writer/director</span><br /><span style="font-family:arial;">GRACE IS GONE</span><br /><br /><span style="font-family:arial;">Special Jury Prize Documentary</span><br /><span style="font-family:arial;">NO END IN SIGHT</span><br /><span style="font-family:arial;">Charles Ferguson, director</span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzMiaL_C_IBZO3E6w315LhsnwbOX3mYPZL65Do5_SAVNG2UaRqx1RIu-vnKWcxAeP6rYfhVgPJpgDCYj37Zp75m7PFKgRWD2vQMuB2-V1mJiIc3-ZIEhRshEBKEqzF67ZBveWGsQYaKcOC/s1600-h/Picture+2.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5025512819854560562" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzMiaL_C_IBZO3E6w315LhsnwbOX3mYPZL65Do5_SAVNG2UaRqx1RIu-vnKWcxAeP6rYfhVgPJpgDCYj37Zp75m7PFKgRWD2vQMuB2-V1mJiIc3-ZIEhRshEBKEqzF67ZBveWGsQYaKcOC/s400/Picture+2.png" style="cursor: pointer;" /></a><br /><br /><span style="font-family:arial;">Special Jury Prize for Acting</span><br /><span style="font-family:arial;">(Split)</span><br /><span style="font-family:arial;">Jess Weixler</span><br /><span style="font-family:arial;">TEETH</span><br /><span style="font-family:arial;">Tamara Podemski</span><br /><span style="font-family:arial;">FOUR SHEETS TO THE WIND</span><br /><br /><span style="font-family:arial;">Special Jury Prize For Singularity Of Vision</span><br /><span style="font-family:arial;">Chris Smith, director</span><br /><span style="font-family:arial;">THE POOL</span><br /><br /><span style="font-family:arial;">Special Jury Prize World Cinema:</span><br /><span style="font-family:arial;">Documentary</span><br /><span style="font-family:arial;">HOT HOUSE</span><br /><span style="font-family:arial;">Shimon Dotan, director</span><br /><br /><span style="font-family:arial;">Special Jury Prize World Cinema:</span><br /><span style="font-family:arial;">Dramatic</span><br /><span style="font-family:arial;">THE LEGACY</span><br /><span style="font-family:arial;">Gela Babluani & Temur Babluani</span><br /><br /><span style="font-family:arial;">Jury Prize in Short Filmmaking</span><br /><span style="font-family:arial;">EVERYTHING WILL BE OK</span><br /><span style="font-family:arial;">Don Hertzfeldt, director</span><br /><br /><span style="font-family:arial;">Jury Prize in International</span><br /><span style="font-family:arial;">Short Filmmaking</span><br /><span style="font-family:arial;">THE TUBE WITH A HAT</span><br /><span style="font-family:arial;">Radu Jude, director</span><br /><br /><span style="font-family:arial;"><span style="font-size:150%;"><span style="color: rgb(102, 102, 0);">Honorable Mention In Short Filmmaking</span><br /></span></span><span style="font-family:arial;">DEATH TO THE TINMAN</span><br /><span style="font-family:arial;">Ray Tintori, director</span><span style="font-family:arial;"><br />THE FIGHTING CHOLITAS</span><br /><span style="font-family:arial;">Mariam Jobrani, director<br /></span><span style="font-family:arial;">MEN UNDERSTAND EACH OTHER BETTER</span><br /><span style="font-family:arial;">Marjan Alizadeh, director<br /></span><span style="font-family:arial;">MOTODROM</span><br /><span style="font-family:arial;">Joerg Wagner, director<br /></span><span style="font-family:arial;">SPITFIRE 944</span><br /><span style="font-family:arial;">William Lorton, director<br /></span><span style="font-family:arial;">T.O.M.</span><br /><span style="font-family:arial;">Tom Brown & Daniel Gray, directors</span>

2007 SUNDANCE FILM FESTIVAL WINNERS! So, after a long and competitive festival, The Sundance Film Festival of 07 breaks records with sales ...

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